Art

By Sasha Silakov

A look into notable works at the Art Institute of Chicago’s Beyond Form: Abstraction at Midcentury and the shift away from realism in response to global political change.

Issue 1, Volume 117

|| 2026-2027

By Alexander Zhu

The Mei Lanfang exhibit showcases the Chinese-American cultural connections of Peking opera.

Issue 16, Volume 116

|| 2025-2026

By Maggie Miao

Impressionism was a revolutionary artistic movement that originated in the late 19th century and left behind a vibrant cultural legacy.Impressionism was a revolutionary artistic movement that originated in the late 19th century and left behind a vibrant cultural legacy.

Issue 16, Volume 116

|| 2025-2026

By Elizabeth Chao

Stuyvesant alumna Sara Levin, objects conservator for the African and Oceanic art department at the Met shares insights into the art conservation profession.

Issue 15, Volume 116

|| 2025-2026

By Anonymous

Heated Rivalry features important queer representation and captivating storytelling that is making a real impact, making it truly worth a watch.

Issue 10, Volume 116

|| 2025-2026

By Ruby Kennedy

Divine Egypt brings ancient artifacts from museums around the world to one space through January

Issue 7, Volume 116

|| 2025-2026

By Elizabeth Chao

Sargent & Paris was a beautifully curated temporary exhibition at the Met

Issue 4, Volume 116

|| 2025-2026

By Elizabeth Chao

Sargent & Paris was a beautifully curated temporary exhibition at the Met

Issue 4, Volume 116

|| 2025-2026

By Ruby Kennedy

Amy Sherald’s Whitney exhibit American Sublime motivates viewers to clear a space in realism for all Americans to achieve the American Dream.

Issue 17, Volume 115

|| 2024-2025

By Stella Krajka

The New York Public Library’s exhibit “A Century of The New Yorker” honors the unique, distinctive style of The New Yorker while also giving viewers a clear understanding of the publication’s history.

Issue 17, Volume 115

|| 2024-2025

By Ravi Hasegawa

While individual pieces in The Writing’s on the Wall: Language and Silence in the Visual Arts explore the intersection between language and art, the exhibit lacks a cohesive structure, ultimately undermining curator Hilton Als’ vision.

Issue 11, Volume 115

|| 2024-2025

By Galen Jack

“Harmony and Dissonance” highlights the importance of Orphism as a transition between representation and abstraction in European art though the works that make up this exhibition are, for the most part lackluster.

Issue 6, Volume 115

|| 2024-2025

By Galen Jack, Ravi Hasegawa

Life Dances On takes a bird’s eye view of Robert Frank’s life, tracing his influences and the evolution of his craft while highlighting the less celebrated facets of his oeuvre.

Issue 5, Volume 115

|| 2024-2025

By Marzuk Rashid

Union Yaoi just might have helped save the Animation Industry

Issue 3, Volume 115

|| 2024-2025

By Somerset Seidenberg

A Hanes white T-shirt and a two-shaded canvas. At the MoMA, they’re on display. But with only a message and without aesthetic appeal, can they be considered art?

Issue 3, Volume 115

|| 2024-2025

By Ruby Kennedy

Alex Katz, an American phenomenon in the art world for over 7 decades, captures eternal natural cycles in Seasons at the MoMA

Issue 1, Volume 115

|| 2024-2025
big image

By Renata Firestone

The Met’s Monstrous Beauty explores the history, art, and culture of chinoiserie.

Issue 14, Volume 115

|| 2024-2025
big image

By Maegan Diep

The Lillie P. Bliss and the Birth of Modern exhibition at the Museum of Modern Art celebrates the founding woman who championed the avant-garde movement.

Issue 6, Volume 115

|| 2024-2025
big image

By Emile Lee-Suk

Amanda Ba: Developing Desire presents a cryptic look at the current state of Chinese urbanization and development.

Issue 4, Volume 115

|| 2024-2025
big image

By Grace Rhee, Maegan Diep

A glimpse into the MoMA’s Crafting Modernity: Design in Latin America (1940-1980)

Issue 2, Volume 115

|| 2024-2025
big image

By Grace Rhee, Maegan Diep

A comprehensive review of the Käthe Kollwitz exhibition at the Museum of Modern Art.

Issue 14, Volume 114

|| 2023-2024
big image

By Emile Lee-Suk

The Society of Illustrators presented a collection of digital artist Tomer Hanuka’s illustrations from the past decade

Issue 12, Volume 114

|| 2023-2024
big image

By Maegan Diep

A walk-through of the epoch-making, culturally-enriching exhibition, The Harlem Renaissance and Transatlantic Modernism, at the Metropolitan Museum of Art.

Issue 12, Volume 114

|| 2023-2024
big image

By Dorothy Ha

Shary Boyle deep dives into the complexities of the human identity in her solo art exhibit, Outside the Palace of Me.

Issue 7, Volume 114

|| 2023-2024
big image

By Emile Lee-Suk

Max Beckmann: The Formative Years, 1915-1925 explores the dark early works of an artist traumatized by World War I.

Issue 6, Volume 114

|| 2023-2024
big image

By Emile Lee-Suk

The Guggenheim debuted an overlooked collection of South Korean art from a time of military dictatorship.

Issue 2, Volume 114

|| 2023-2024
big image

By Vita Kirschtein

Defining Dada and investigating why it is confined to the past.

Issue 1, Volume 114

|| 2023-2024

By Madeline Hutchinson

Reviewing the 2024 Venice Biennial

Issue 1, Volume 115

|| 2024-2025

By Grace Rhee

A review of Wanda Gág’s World exhibition at the Whitney Museum.

Issue 17, Volume 114

|| 2023-2024

By Ruby Kennedy

The Manhattan Borough Arts Festival continues to showcase the works of the creative youth educated in Manhattan’s public schools in this insightful exhibit.

Issue 17, Volume 114

|| 2023-2024

By Renata Firestone

Mexican Prints at the Vanguard presents Mexican printmaking as an outlet for traditional motifs and socio-political commentary.

Issue 14, Volume 114

|| 2023-2024

By Emile Lee-Suk, Joey Ferguson, Madeline Hutchinson, Santino Suarez

Five NYC exhibitions you must see this month!

Issue 12, Volume 114

|| 2023-2024

By Grace Rhee

The Metropolitan Museum of Art’s new exhibition, Manet/Degas, explores the enigmatic relationship between the two famous artists by presenting their thematically similar artworks side by side.

Issue 8, Volume 114

|| 2023-2024

By Emile Lee-Suk

The Gagosian’s A Foreigner Called Picasso sheds light on Pablo Picasso’s struggle to be recognized as an artist, kept under watch by the police for his anarchist ties.

Issue 8, Volume 114

|| 2023-2024

By Kostantina Tsahalis

A deep dive into scratchitti and its often overlooked value.

Issue 8, Volume 114

|| 2023-2024

By Dorothy Ha

In a world driven by social media, new “museums” designed to be Instagram-friendly are rapidly changing the art scene, while traditional art museums are forced to adapt

Issue 7, Volume 114

|| 2023-2024

By Dorothy Ha

In a world driven by social media, new “museums” designed to be Instagram-friendly are rapidly changing the art scene, while traditional art museums are forced to adapt

Issue 7, Volume 114

|| 2023-2024

By Dorothy Ha

In a world driven by social media, new “museums” designed to be Instagram-friendly are rapidly changing the art scene, while traditional art museums are forced to adapt

Issue 7, Volume 114

|| 2023-2024

By Emile Lee-Suk

Art for the Millions at the Metropolitan Museum of Art showcases the radical political works stemming from the Great Depression.

Issue 4, Volume 114

|| 2023-2024

By Somerset Seidenberg

Home to Klimt’s Woman in Gold, the Neue Galerie offers New Yorkers a taste of Vienna and shines a spotlight on the culture and art of 20th-century Austria and Germany.

Issue 3, Volume 114

|| 2023-2024

By Sofia Sen

A review of The Miniature Art Museum: Small is Beautiful NYC.

Issue 2, Volume 114

|| 2023-2024
big image

By Maggie Miao

Musical Bodies explores themes of gender, sex, family, and death through art of diverse mediums and origins.

Issue 1, Volume 117

|| 2026-2027

By Ruby Kennedy

Amy Sherald’s Whitney exhibit American Sublime motivates viewers to clear a space in realism for all Americans to achieve the American Dream.

Issue 17, Volume 115

|| 2024-2025

By Stella Krajka

The New York Public Library’s exhibit “A Century of The New Yorker” honors the unique, distinctive style of The New Yorker while also giving viewers a clear understanding of the publication’s history.

Issue 17, Volume 115

|| 2024-2025

By Grace Rhee

A review of Wanda Gág’s World exhibition at the Whitney Museum.

Issue 17, Volume 114

|| 2023-2024

By Ruby Kennedy

The Manhattan Borough Arts Festival continues to showcase the works of the creative youth educated in Manhattan’s public schools in this insightful exhibit.

Issue 17, Volume 114

|| 2023-2024

By Alexander Zhu

The Mei Lanfang exhibit showcases the Chinese-American cultural connections of Peking opera.

Issue 16, Volume 116

|| 2025-2026

By Maggie Miao

Impressionism was a revolutionary artistic movement that originated in the late 19th century and left behind a vibrant cultural legacy.Impressionism was a revolutionary artistic movement that originated in the late 19th century and left behind a vibrant cultural legacy.

Issue 16, Volume 116

|| 2025-2026

By Elizabeth Chao

Stuyvesant alumna Sara Levin, objects conservator for the African and Oceanic art department at the Met shares insights into the art conservation profession.

Issue 15, Volume 116

|| 2025-2026
big image

By Renata Firestone

The Met’s Monstrous Beauty explores the history, art, and culture of chinoiserie.

Issue 14, Volume 115

|| 2024-2025

By Renata Firestone

Mexican Prints at the Vanguard presents Mexican printmaking as an outlet for traditional motifs and socio-political commentary.

Issue 14, Volume 114

|| 2023-2024
big image

By Grace Rhee, Maegan Diep

A comprehensive review of the Käthe Kollwitz exhibition at the Museum of Modern Art.

Issue 14, Volume 114

|| 2023-2024
big image

By Emile Lee-Suk

The Society of Illustrators presented a collection of digital artist Tomer Hanuka’s illustrations from the past decade

Issue 12, Volume 114

|| 2023-2024

By Emile Lee-Suk, Joey Ferguson, Madeline Hutchinson, Santino Suarez

Five NYC exhibitions you must see this month!

Issue 12, Volume 114

|| 2023-2024
big image

By Maegan Diep

A walk-through of the epoch-making, culturally-enriching exhibition, The Harlem Renaissance and Transatlantic Modernism, at the Metropolitan Museum of Art.

Issue 12, Volume 114

|| 2023-2024

By Ravi Hasegawa

While individual pieces in The Writing’s on the Wall: Language and Silence in the Visual Arts explore the intersection between language and art, the exhibit lacks a cohesive structure, ultimately undermining curator Hilton Als’ vision.

Issue 11, Volume 115

|| 2024-2025

By Anonymous

Heated Rivalry features important queer representation and captivating storytelling that is making a real impact, making it truly worth a watch.

Issue 10, Volume 116

|| 2025-2026

By Grace Rhee

The Metropolitan Museum of Art’s new exhibition, Manet/Degas, explores the enigmatic relationship between the two famous artists by presenting their thematically similar artworks side by side.

Issue 8, Volume 114

|| 2023-2024

By Emile Lee-Suk

The Gagosian’s A Foreigner Called Picasso sheds light on Pablo Picasso’s struggle to be recognized as an artist, kept under watch by the police for his anarchist ties.

Issue 8, Volume 114

|| 2023-2024

By Kostantina Tsahalis

A deep dive into scratchitti and its often overlooked value.

Issue 8, Volume 114

|| 2023-2024

By Ruby Kennedy

Divine Egypt brings ancient artifacts from museums around the world to one space through January

Issue 7, Volume 116

|| 2025-2026
big image

By Dorothy Ha

Shary Boyle deep dives into the complexities of the human identity in her solo art exhibit, Outside the Palace of Me.

Issue 7, Volume 114

|| 2023-2024

By Dorothy Ha

In a world driven by social media, new “museums” designed to be Instagram-friendly are rapidly changing the art scene, while traditional art museums are forced to adapt

Issue 7, Volume 114

|| 2023-2024

By Dorothy Ha

In a world driven by social media, new “museums” designed to be Instagram-friendly are rapidly changing the art scene, while traditional art museums are forced to adapt

Issue 7, Volume 114

|| 2023-2024

By Dorothy Ha

In a world driven by social media, new “museums” designed to be Instagram-friendly are rapidly changing the art scene, while traditional art museums are forced to adapt

Issue 7, Volume 114

|| 2023-2024

By Galen Jack

“Harmony and Dissonance” highlights the importance of Orphism as a transition between representation and abstraction in European art though the works that make up this exhibition are, for the most part lackluster.

Issue 6, Volume 115

|| 2024-2025
big image

By Maegan Diep

The Lillie P. Bliss and the Birth of Modern exhibition at the Museum of Modern Art celebrates the founding woman who championed the avant-garde movement.

Issue 6, Volume 115

|| 2024-2025
big image

By Emile Lee-Suk

Max Beckmann: The Formative Years, 1915-1925 explores the dark early works of an artist traumatized by World War I.

Issue 6, Volume 114

|| 2023-2024

By Galen Jack, Ravi Hasegawa

Life Dances On takes a bird’s eye view of Robert Frank’s life, tracing his influences and the evolution of his craft while highlighting the less celebrated facets of his oeuvre.

Issue 5, Volume 115

|| 2024-2025

By Elizabeth Chao

Sargent & Paris was a beautifully curated temporary exhibition at the Met

Issue 4, Volume 116

|| 2025-2026

By Elizabeth Chao

Sargent & Paris was a beautifully curated temporary exhibition at the Met

Issue 4, Volume 116

|| 2025-2026
big image

By Emile Lee-Suk

Amanda Ba: Developing Desire presents a cryptic look at the current state of Chinese urbanization and development.

Issue 4, Volume 115

|| 2024-2025

By Emile Lee-Suk

Art for the Millions at the Metropolitan Museum of Art showcases the radical political works stemming from the Great Depression.

Issue 4, Volume 114

|| 2023-2024

By Marzuk Rashid

Union Yaoi just might have helped save the Animation Industry

Issue 3, Volume 115

|| 2024-2025

By Somerset Seidenberg

A Hanes white T-shirt and a two-shaded canvas. At the MoMA, they’re on display. But with only a message and without aesthetic appeal, can they be considered art?

Issue 3, Volume 115

|| 2024-2025

By Somerset Seidenberg

Home to Klimt’s Woman in Gold, the Neue Galerie offers New Yorkers a taste of Vienna and shines a spotlight on the culture and art of 20th-century Austria and Germany.

Issue 3, Volume 114

|| 2023-2024
big image

By Grace Rhee, Maegan Diep

A glimpse into the MoMA’s Crafting Modernity: Design in Latin America (1940-1980)

Issue 2, Volume 115

|| 2024-2025

By Sofia Sen

A review of The Miniature Art Museum: Small is Beautiful NYC.

Issue 2, Volume 114

|| 2023-2024
big image

By Emile Lee-Suk

The Guggenheim debuted an overlooked collection of South Korean art from a time of military dictatorship.

Issue 2, Volume 114

|| 2023-2024

By Sasha Silakov

A look into notable works at the Art Institute of Chicago’s Beyond Form: Abstraction at Midcentury and the shift away from realism in response to global political change.

Issue 1, Volume 117

|| 2026-2027

By Ruby Kennedy

Alex Katz, an American phenomenon in the art world for over 7 decades, captures eternal natural cycles in Seasons at the MoMA

Issue 1, Volume 115

|| 2024-2025

By Madeline Hutchinson

Reviewing the 2024 Venice Biennial

Issue 1, Volume 115

|| 2024-2025
big image

By Vita Kirschtein

Defining Dada and investigating why it is confined to the past.

Issue 1, Volume 114

|| 2023-2024