Arts and Entertainment

By Sasha Silakov

A look into notable works at the Art Institute of Chicago’s Beyond Form: Abstraction at Midcentury and the shift away from realism in response to global political change.

Issue 1, Volume 117

|| 2026-2027

By Sally Zeng

Season Two of X-Men ‘97 is solid because of the animations, character development, and decent storyline, but it is weakened by the show’s rushed pacing and script.

Issue 1, Volume 117

|| 2026-2027

By Stella Kubersky

Phoebe Bridgers returns with an album that combines the best of her past music and the maturity she gained during her hiatus in Lost Weekend.

Issue 1, Volume 117

|| 2026-2027

By Glynnis Gravador, Rachel Hong

Listen to these albums by Asian artists for back-to-school season!

Issue 1, Volume 117

|| 2026-2027

By Kaity So

Mitski explores uncomfortable topics in her new, chaotic, and controversial album

Issue 17, Volume 116

|| 2025-2026

By Glynnis Gravador

Manon’s mysterious hiatus from the hit global group KATSEYE has highlighted concerns about the mistreatment of Black women in the entertainment industry.

Issue 17, Volume 116

|| 2025-2026

By James Lu

The current revival of Smallville says a lot more about how audiences today value character-driven, earnest television than just empty nostalgia.

Issue 17, Volume 116

|| 2025-2026

By Stella Kubersky

STC’s spring comedy, You Can’t Take it With You, stunned audiences with amazing comedic rapport, heartfelt human connection, and stunning sets.

Issue 17, Volume 116

|| 2025-2026

By Daniel Oren, Nemo Hughes

Backrooms, directed by Kane Parsons, is a masterpiece despite overwhelming public dissatisfaction.

Issue 17, Volume 116

|| 2025-2026

By Noah Choi, Rachel Hong

PlayAsia reviews the best K-pop albums of 2026 (so far)!

Issue 17, Volume 116

|| 2025-2026

By Maggie Miao

Impressionism was a revolutionary artistic movement that originated in the late 19th century and left behind a vibrant cultural legacy.Impressionism was a revolutionary artistic movement that originated in the late 19th century and left behind a vibrant cultural legacy.

Issue 16, Volume 116

|| 2025-2026

By Alexander Deng

GameOVerse’s pilot proves to be an exemplary model of indie animation, from its ambitious animation to innovative story and worldbuilding. While it isn’t a perfect pilot, it has a lot of potential if it gets greenlit for a full series.

Issue 16, Volume 116

|| 2025-2026

By Soraya Gharib

Olivia Rodrigo is exploring new territory with her third studio release, and continuing to navigate the music industry.

Issue 16, Volume 116

|| 2025-2026

By Molly Gupta

Netflix’s adaptation of Lord of the Flies features stunning visuals and strong acting to create an immersive and compelling series, though it is held back by uneven tttttrrryrrtretrrrrrpacing.

Issue 16, Volume 116

|| 2025-2026

By Alexander Zhu

The Mei Lanfang exhibit showcases the Chinese-American cultural connections of Peking opera.

Issue 16, Volume 116

|| 2025-2026

By Glynnis Gravador

Viral food trends like matcha, ube, and Dubai chocolate may capture global attention, but their rapid rise comes at the expense of cultural authenticity, shortages, and strain on the supply chains that sustain the communities behind these ingredients.

Issue 15, Volume 116

|| 2025-2026

By Elizabeth Chao

Stuyvesant alumna Sara Levin, objects conservator for the African and Oceanic art department at the Met shares insights into the art conservation profession.

Issue 15, Volume 116

|| 2025-2026

By Sasha Silakov

The Devil Wears Prada 2 debuts as an unnecessary, narratively confusing legacy sequel, with acting that did not stand the test of time.

Issue 15, Volume 116

|| 2025-2026
big image

By Maggie Miao

Musical Bodies explores themes of gender, sex, family, and death through art of diverse mediums and origins.

Issue 1, Volume 117

|| 2026-2027
big image

By Hana Fathony, Sara Bhuiyan

The Odyssey attempts to take its place in cinema history; is it a diamond in the rough or a Trojan horse?

Issue 1, Volume 117

|| 2026-2027
big image

By Sally Zeng

The Punisher: One Last Kill was a perfect continuation of Frank Castle’s story, with its new addition of character development, violence, and emotional impact.

Issue 16, Volume 116

|| 2025-2026
big image

By Kimberly Chen, Sara Bhuiyan

A review of The Super Mario Galaxy Movie with emphasis on its storytelling, character development, and its effectiveness as a sequel.

Issue 14, Volume 116

|| 2025-2026
big image

By Sasha Silakov

Project Hail Mary serves its purpose well as a hard Sci-Fi adaptation, even as some emotional depth is sacrificed for efficiency.

Issue 14, Volume 116

|| 2025-2026
big image

By Ashley Maung, Dinara Gargu, Gavin Cheng, Max Schwartz, Nina Benson, Oscar Scribner, Stella Krajka, Yuma Kono

Diving deep into SophFrosh SING! 2026.

Issue 11, Volume 116

|| 2025-2026
big image

By Emily Johnson, Paloma Wilkinson, Rano Safarova, Tiffany Wang

Diving deep into Junior SING! 2026.

Issue 11, Volume 116

|| 2025-2026

By The Arts & Entertainment Department

The A&E department shares their best bites of the issue. The food that melted in their mouths, the one that satiated their insatiable desires, the one where every bite told a story, teasing their taste buds, leaving them craving the next mouthful long after the plate was empty.

Issue 15, Volume 116

|| 2025-2026

By Oscar Scribner

The Secret Agent is authoritarianism on a slow, slow summer’s day.

Issue 15, Volume 116

|| 2025-2026

By Mira Anant

A playlist-like analysis of how popular music across decades has redefined the idea of the “spring song,” transforming spring from a symbol of simple renewal into a more complex emotional and cultural metaphor.

Issue 15, Volume 116

|| 2025-2026

By Somerset Seidenberg

At the Saatchi Gallery, Domestic Relics—and most notably the works of Jennifer Jones—poignantly reveals how the objects of our domestic lives embody and shape the lives that pass through them.

Issue 13, Volume 116

|| 2025-2026

By Maggie Miao

I reached out to six of the most influential musicians on my own musical journey and asked them: What is one piece of advice you have for young musicians?

Issue 13, Volume 116

|| 2025-2026

By Noah Choi

Nearly a decade into their reign as global icons, Blackpink returns with Deadline, which struggles to justify the group’s three-year hiatus due to uneven production quality.

Issue 13, Volume 116

|| 2025-2026

By The Arts & Entertainment Department

The Spectator reviews PopUp Bagels, a new bagel place near Stuyvesant that offers a unique eating experience with fresh bagels and unusual schmears.

Issue 13, Volume 116

|| 2025-2026

By Sasha Silakov

“Wuthering Heights” imposes a glossy, nostalgic vision that sacrifices subtext and tragedy for hollow spectacle.

Issue 12, Volume 116

|| 2025-2026

By Soraya Gharib

Analyzing the lyrics, script, and visuals of Taylor Swift’s latest music video, Opalite.

Issue 12, Volume 116

|| 2025-2026

By Kimberly Chen

A review of Bruno Mars’ The Romantic with emphasis on the Latin influences of the album.

Issue 12, Volume 116

|| 2025-2026

By The Arts & Entertainment Department

Spectator’s Arts and Entertainment department shares their thoughts about this year's Oscars.

Issue 12, Volume 116

|| 2025-2026

By PLACEHOLDER, Riley Martin

Don Toliver’s Octane pushes his signature vocal experimentation to new heights across a disjointed but high-production landscape exploring modern belonging.

Issue 12, Volume 116

|| 2025-2026

By Maggie Miao

A rudimentary guide to structuring each practice session.

Issue 11, Volume 116

|| 2025-2026

By Molly Gupta

Bad Bunny’s Super Bowl Halftime Show redefined the borders of what it means to be American while successfully representing Puerto Rican culture through its music and staging.

Issue 11, Volume 116

|| 2025-2026

By Alexander Deng

One Punch Man’s third season is underwhelming in several ways, from the animation errors to the lack of animation altogether. This article dives into the ways in which the season falls short, as well as an explanation of how the season was doomed from the start.

Issue 11, Volume 116

|| 2025-2026

By Sara Bhuiyan

Five Nights at Freddy’s 2 (2025), while not exactly like the games, is thrilling and suspenseful, making it a fun watch for die-hard fans.

Issue 11, Volume 116

|| 2025-2026
big image

By Mira Anant

With Spider-Man: Brand New Day, Destin Daniel Cretton brings Spider-Man back to his roots, giving Tom Holland’s Peter Parker his most personal and classic story yet.

Issue 1, Volume 117

|| 2026-2027

By Kaity So

Mitski explores uncomfortable topics in her new, chaotic, and controversial album

Issue 17, Volume 116

|| 2025-2026

By Glynnis Gravador

Manon’s mysterious hiatus from the hit global group KATSEYE has highlighted concerns about the mistreatment of Black women in the entertainment industry.

Issue 17, Volume 116

|| 2025-2026

By James Lu

The current revival of Smallville says a lot more about how audiences today value character-driven, earnest television than just empty nostalgia.

Issue 17, Volume 116

|| 2025-2026

By Stella Kubersky

STC’s spring comedy, You Can’t Take it With You, stunned audiences with amazing comedic rapport, heartfelt human connection, and stunning sets.

Issue 17, Volume 116

|| 2025-2026

By Daniel Oren, Nemo Hughes

Backrooms, directed by Kane Parsons, is a masterpiece despite overwhelming public dissatisfaction.

Issue 17, Volume 116

|| 2025-2026

By Noah Choi, Rachel Hong

PlayAsia reviews the best K-pop albums of 2026 (so far)!

Issue 17, Volume 116

|| 2025-2026

By Maggie Miao

Impressionism was a revolutionary artistic movement that originated in the late 19th century and left behind a vibrant cultural legacy.Impressionism was a revolutionary artistic movement that originated in the late 19th century and left behind a vibrant cultural legacy.

Issue 16, Volume 116

|| 2025-2026

By Alexander Deng

GameOVerse’s pilot proves to be an exemplary model of indie animation, from its ambitious animation to innovative story and worldbuilding. While it isn’t a perfect pilot, it has a lot of potential if it gets greenlit for a full series.

Issue 16, Volume 116

|| 2025-2026
big image

By Sally Zeng

The Punisher: One Last Kill was a perfect continuation of Frank Castle’s story, with its new addition of character development, violence, and emotional impact.

Issue 16, Volume 116

|| 2025-2026

By Soraya Gharib

Olivia Rodrigo is exploring new territory with her third studio release, and continuing to navigate the music industry.

Issue 16, Volume 116

|| 2025-2026

By Molly Gupta

Netflix’s adaptation of Lord of the Flies features stunning visuals and strong acting to create an immersive and compelling series, though it is held back by uneven tttttrrryrrtretrrrrrpacing.

Issue 16, Volume 116

|| 2025-2026

By Alexander Zhu

The Mei Lanfang exhibit showcases the Chinese-American cultural connections of Peking opera.

Issue 16, Volume 116

|| 2025-2026

By Glynnis Gravador

Viral food trends like matcha, ube, and Dubai chocolate may capture global attention, but their rapid rise comes at the expense of cultural authenticity, shortages, and strain on the supply chains that sustain the communities behind these ingredients.

Issue 15, Volume 116

|| 2025-2026

By Elizabeth Chao

Stuyvesant alumna Sara Levin, objects conservator for the African and Oceanic art department at the Met shares insights into the art conservation profession.

Issue 15, Volume 116

|| 2025-2026

By Sasha Silakov

The Devil Wears Prada 2 debuts as an unnecessary, narratively confusing legacy sequel, with acting that did not stand the test of time.

Issue 15, Volume 116

|| 2025-2026

By The Arts & Entertainment Department

The A&E department shares their best bites of the issue. The food that melted in their mouths, the one that satiated their insatiable desires, the one where every bite told a story, teasing their taste buds, leaving them craving the next mouthful long after the plate was empty.

Issue 15, Volume 116

|| 2025-2026

By Oscar Scribner

The Secret Agent is authoritarianism on a slow, slow summer’s day.

Issue 15, Volume 116

|| 2025-2026

By Mira Anant

A playlist-like analysis of how popular music across decades has redefined the idea of the “spring song,” transforming spring from a symbol of simple renewal into a more complex emotional and cultural metaphor.

Issue 15, Volume 116

|| 2025-2026
big image

By Kimberly Chen, Sara Bhuiyan

A review of The Super Mario Galaxy Movie with emphasis on its storytelling, character development, and its effectiveness as a sequel.

Issue 14, Volume 116

|| 2025-2026
big image

By Sasha Silakov

Project Hail Mary serves its purpose well as a hard Sci-Fi adaptation, even as some emotional depth is sacrificed for efficiency.

Issue 14, Volume 116

|| 2025-2026

By Somerset Seidenberg

At the Saatchi Gallery, Domestic Relics—and most notably the works of Jennifer Jones—poignantly reveals how the objects of our domestic lives embody and shape the lives that pass through them.

Issue 13, Volume 116

|| 2025-2026

By Maggie Miao

I reached out to six of the most influential musicians on my own musical journey and asked them: What is one piece of advice you have for young musicians?

Issue 13, Volume 116

|| 2025-2026

By Noah Choi

Nearly a decade into their reign as global icons, Blackpink returns with Deadline, which struggles to justify the group’s three-year hiatus due to uneven production quality.

Issue 13, Volume 116

|| 2025-2026

By The Arts & Entertainment Department

The Spectator reviews PopUp Bagels, a new bagel place near Stuyvesant that offers a unique eating experience with fresh bagels and unusual schmears.

Issue 13, Volume 116

|| 2025-2026

By Sasha Silakov

“Wuthering Heights” imposes a glossy, nostalgic vision that sacrifices subtext and tragedy for hollow spectacle.

Issue 12, Volume 116

|| 2025-2026

By Soraya Gharib

Analyzing the lyrics, script, and visuals of Taylor Swift’s latest music video, Opalite.

Issue 12, Volume 116

|| 2025-2026

By Kimberly Chen

A review of Bruno Mars’ The Romantic with emphasis on the Latin influences of the album.

Issue 12, Volume 116

|| 2025-2026

By The Arts & Entertainment Department

Spectator’s Arts and Entertainment department shares their thoughts about this year's Oscars.

Issue 12, Volume 116

|| 2025-2026

By PLACEHOLDER, Riley Martin

Don Toliver’s Octane pushes his signature vocal experimentation to new heights across a disjointed but high-production landscape exploring modern belonging.

Issue 12, Volume 116

|| 2025-2026

By Maggie Miao

A rudimentary guide to structuring each practice session.

Issue 11, Volume 116

|| 2025-2026

By Molly Gupta

Bad Bunny’s Super Bowl Halftime Show redefined the borders of what it means to be American while successfully representing Puerto Rican culture through its music and staging.

Issue 11, Volume 116

|| 2025-2026
big image

By Ashley Maung, Dinara Gargu, Gavin Cheng, Max Schwartz, Nina Benson, Oscar Scribner, Stella Krajka, Yuma Kono

Diving deep into SophFrosh SING! 2026.

Issue 11, Volume 116

|| 2025-2026
big image

By Emily Johnson, Paloma Wilkinson, Rano Safarova, Tiffany Wang

Diving deep into Junior SING! 2026.

Issue 11, Volume 116

|| 2025-2026

By Alexander Deng

One Punch Man’s third season is underwhelming in several ways, from the animation errors to the lack of animation altogether. This article dives into the ways in which the season falls short, as well as an explanation of how the season was doomed from the start.

Issue 11, Volume 116

|| 2025-2026

By Sara Bhuiyan

Five Nights at Freddy’s 2 (2025), while not exactly like the games, is thrilling and suspenseful, making it a fun watch for die-hard fans.

Issue 11, Volume 116

|| 2025-2026
big image

By Maggie Miao

Musical Bodies explores themes of gender, sex, family, and death through art of diverse mediums and origins.

Issue 1, Volume 117

|| 2026-2027

By Sasha Silakov

A look into notable works at the Art Institute of Chicago’s Beyond Form: Abstraction at Midcentury and the shift away from realism in response to global political change.

Issue 1, Volume 117

|| 2026-2027

By Sally Zeng

Season Two of X-Men ‘97 is solid because of the animations, character development, and decent storyline, but it is weakened by the show’s rushed pacing and script.

Issue 1, Volume 117

|| 2026-2027
big image

By Hana Fathony, Sara Bhuiyan

The Odyssey attempts to take its place in cinema history; is it a diamond in the rough or a Trojan horse?

Issue 1, Volume 117

|| 2026-2027

By Stella Kubersky

Phoebe Bridgers returns with an album that combines the best of her past music and the maturity she gained during her hiatus in Lost Weekend.

Issue 1, Volume 117

|| 2026-2027

By Glynnis Gravador, Rachel Hong

Listen to these albums by Asian artists for back-to-school season!

Issue 1, Volume 117

|| 2026-2027