Arts and Entertainment
Spooky Sweets: S-Tier Stars and Subpar Selections
By The Arts & Entertainment Department
The most artistic and entertaining department proudly presents our ranking of 16 of the most loved (or most controversial?) Halloween candies.
|| 2026-2027Bite of the Issue: The Worst Halloween Candy Imaginable.
Eating every bad bean from BeanBoozled.
|| 2026-2027Moana (2026) Live Action: A Wave of Nostalgia or a Cash Grab?
The Moana live-action movie is a cash grab, and not the only one Disney has produced.
|| 2026-2027Fueling the Fire: How Sydney Sweeney Uses Outrage to Set a New Standard For Advertisement
Outrage marketing is becoming the new norm for advertisement, and Sydney Sweeney’s recent ad campaigns are the driving force promoting this method. With its reliance on a heavy media response, Sweeney’s new ad campaign for Novig is a prime example.
|| 2026-2027“1 More” Homage to Persona 5 (2016)
By Hana Fathony
Persona 5’s tenth anniversary truly leads players to reflect on what makes it unforgettable, even now.
|| 2026-2027To Infinity and Beyond: The Return of Toy Story
Toy Story 5 and how it reflects our modern day society.
|| 2026-2027Bite Of The Issue
By Daniel Oren
Tashkent Supermarket’s shawarma offers Stuyvesant students an unusually filling, affordable, and delicious lunch just two subway stops away.
|| 2026-2027I’ve Tried Hard Enough To Like It: Where Teen Of Denial (Joe’s Story) Falls Flat
Car Seat Headrest released a reimagined version of their indie rock classic album, Teens of Denial, but misses the mark by not living up to the greatness of the original.
|| 2026-2027Fakemink’s Terrified .: A Brilliant Mess
By Riley Martin
While Fakemink’s Terrified . offers some of the most compelling, self-produced experimental rap of the year, its brilliant moments are repeatedly sabotaged by a frustrating tracklist structure and bloated interludes.
|| 2026-2027Underdog Superstar Finds Strength in Consistency
By Riley Martin
“Raxan’s Underdog Superstar refines his 2000s-swag-inspired sound into his most cohesive project yet, though that consistency occasionally comes at the expense of variety.”
|| 2026-2027On Love and Loss: Phoebe Bridgers’s Lost Weekend
Phoebe Bridgers returns with an album that combines the best of her past music and the maturity she gained during her hiatus in Lost Weekend.
|| 2026-2027Art Beyond Representation
A look into notable works at the Art Institute of Chicago’s Beyond Form: Abstraction at Midcentury and the shift away from realism in response to global political change.
|| 2026-2027An Apocalyptic Mix: A Review of X-Men ‘97
By Sally Zeng
Season Two of X-Men ‘97 is solid because of the animations, character development, and decent storyline, but it is weakened by the show’s rushed pacing and script.
|| 2026-2027PlayAsia #7: Back-to-School Season
By Glynnis Gravador, Rachel Hong
Listen to these albums by Asian artists for back-to-school season!
|| 2026-2027PlayAsia #6: Best of K-pop Before Summer
PlayAsia reviews the best K-pop albums of 2026 (so far)!
|| 2025-2026
Evil Residents, Stoked Fans
By Hana Fathony
Resident Evil (2026) is Zach Cregger's attempt to finally do a beloved franchise justice.
|| 2026-2027
Finding Heaven in Lizzy McAlpine’s Angel
A review of Lizzy McAlpine’s Angel, an exploration of love in its many forms.
|| 2026-2027
The New York Earth Room: Your Actual Breath of Fresh Air
By Chloe Tseng
The New York City Earth Room is a breath of fresh air (literally and figuratively).
|| 2026-2027
Yayoi Kusama: Forever in Infinity
By Chloe Tseng
Bearing a few hundred dollars, sixty kimonos, and 2,000 drawings, twenty-nine-year-old Yayoi Kusama looked down from the observation deck of the Empire State Building and promised herself that “one day [she] would conquer New York and make [her] name in the world.”
|| 2026-2027
The Met’s Musical Bodies Exhibition Brings Refreshing Diversity to Music History
By Maggie Miao
Musical Bodies explores themes of gender, sex, family, and death through art of diverse mediums and origins.
|| 2026-2027
A New Day, But a Classic Spider-Man
By Mira Anant
With Spider-Man: Brand New Day, Destin Daniel Cretton brings Spider-Man back to his roots, giving Tom Holland’s Peter Parker his most personal and classic story yet.
|| 2026-2027
The Odyssey (2026): Oddly Archetypal
The Odyssey attempts to take its place in cinema history; is it a diamond in the rough or a Trojan horse?
|| 2026-2027Why Smallville Works Better Now Than It Did Then
By James Lu
The current revival of Smallville says a lot more about how audiences today value character-driven, earnest television than just empty nostalgia.
|| 2025-2026The Missing Piece
Manon’s mysterious hiatus from the hit global group KATSEYE has highlighted concerns about the mistreatment of Black women in the entertainment industry.
|| 2025-2026You Can’t Take It With You Was a Blast!
STC’s spring comedy, You Can’t Take it With You, stunned audiences with amazing comedic rapport, heartfelt human connection, and stunning sets.
|| 2025-2026Parsons Brings it Back in Backrooms (2026)
Backrooms, directed by Kane Parsons, is a masterpiece despite overwhelming public dissatisfaction.
|| 2025-2026Olivia Rodrigo New Album: Will it live up to the hype?
Olivia Rodrigo is exploring new territory with her third studio release, and continuing to navigate the music industry.
|| 2025-2026Impressions on Impressionism
By Maggie Miao
Impressionism was a revolutionary artistic movement that originated in the late 19th century and left behind a vibrant cultural legacy.
|| 2025-2026GameOVerse: A Pilot That Redefines Indie Animation
GameOVerse’s pilot proves to be an exemplary model of indie animation, from its ambitious animation to innovative story and worldbuilding. While it isn’t a perfect pilot, it has a lot of potential if it gets greenlit for a full series.
|| 2025-2026Lord of the Flies (2026): A Look into Human Nature
By Molly Gupta
Netflix’s adaptation of Lord of the Flies features stunning visuals and strong acting to create an immersive and compelling series, though it is held back by uneven tttttrrryrrtretrrrrrpacing.
|| 2025-2026The Mei Lanfang Connection
The Mei Lanfang exhibit showcases the Chinese-American cultural connections of Peking opera.
|| 2025-2026The Cost of Craze: How Trends Exploit Cultural Ingredients
Viral food trends like matcha, ube, and Dubai chocolate may capture global attention, but their rapid rise comes at the expense of cultural authenticity, shortages, and strain on the supply chains that sustain the communities behind these ingredients.
|| 2025-2026The Devil Still Wears Prada
The Devil Wears Prada 2 debuts as an unnecessary, narratively confusing legacy sequel, with acting that did not stand the test of time.
|| 2025-2026Food is my one true love
By The Arts & Entertainment Department
The A&E department shares their best bites of the issue. The food that melted in their mouths, the one that satiated their insatiable desires, the one where every bite told a story, teasing their taste buds, leaving them craving the next mouthful long after the plate was empty.
|| 2025-2026Aesthetic Authoritarianism bores me: The Secret Agent
The Secret Agent is authoritarianism on a slow, slow summer’s day.
|| 2025-2026Art? Science? History? What is Art Conservation?
Stuyvesant alumna Sara Levin, objects conservator for the African and Oceanic art department at the Met shares insights into the art conservation profession.
|| 2025-2026The Sound of Spring: How Popular Music Reimagines the Season Across Decades
By Mira Anant
A playlist-like analysis of how popular music across decades has redefined the idea of the “spring song,” transforming spring from a symbol of simple renewal into a more complex emotional and cultural metaphor.
|| 2025-2026
Bite of the Issue
Tang Sushi in the East Village is both reasonably priced and delicious, with their hand rolls being some of the best in Stuyvesant’s vicinity.
|| 2026-2027PlayAsia #6: Best of K-pop Before Summer
PlayAsia reviews the best K-pop albums of 2026 (so far)!
|| 2025-2026Chaos and Intrigue Abound in Mitski’s Latest Album
By Kaity So
Mitski explores uncomfortable topics in her new, chaotic, and controversial album
|| 2025-2026Why Smallville Works Better Now Than It Did Then
By James Lu
The current revival of Smallville says a lot more about how audiences today value character-driven, earnest television than just empty nostalgia.
|| 2025-2026The Missing Piece
Manon’s mysterious hiatus from the hit global group KATSEYE has highlighted concerns about the mistreatment of Black women in the entertainment industry.
|| 2025-2026You Can’t Take It With You Was a Blast!
STC’s spring comedy, You Can’t Take it With You, stunned audiences with amazing comedic rapport, heartfelt human connection, and stunning sets.
|| 2025-2026Parsons Brings it Back in Backrooms (2026)
Backrooms, directed by Kane Parsons, is a masterpiece despite overwhelming public dissatisfaction.
|| 2025-2026Olivia Rodrigo New Album: Will it live up to the hype?
Olivia Rodrigo is exploring new territory with her third studio release, and continuing to navigate the music industry.
|| 2025-2026
One of a Hundred Kills: The Punisher: One Last Kill
By Sally Zeng
The Punisher: One Last Kill was a perfect continuation of Frank Castle’s story, with its new addition of character development, violence, and emotional impact.
|| 2025-2026Impressions on Impressionism
By Maggie Miao
Impressionism was a revolutionary artistic movement that originated in the late 19th century and left behind a vibrant cultural legacy.
|| 2025-2026GameOVerse: A Pilot That Redefines Indie Animation
GameOVerse’s pilot proves to be an exemplary model of indie animation, from its ambitious animation to innovative story and worldbuilding. While it isn’t a perfect pilot, it has a lot of potential if it gets greenlit for a full series.
|| 2025-2026Lord of the Flies (2026): A Look into Human Nature
By Molly Gupta
Netflix’s adaptation of Lord of the Flies features stunning visuals and strong acting to create an immersive and compelling series, though it is held back by uneven tttttrrryrrtretrrrrrpacing.
|| 2025-2026The Mei Lanfang Connection
The Mei Lanfang exhibit showcases the Chinese-American cultural connections of Peking opera.
|| 2025-2026The Cost of Craze: How Trends Exploit Cultural Ingredients
Viral food trends like matcha, ube, and Dubai chocolate may capture global attention, but their rapid rise comes at the expense of cultural authenticity, shortages, and strain on the supply chains that sustain the communities behind these ingredients.
|| 2025-2026The Devil Still Wears Prada
The Devil Wears Prada 2 debuts as an unnecessary, narratively confusing legacy sequel, with acting that did not stand the test of time.
|| 2025-2026Food is my one true love
By The Arts & Entertainment Department
The A&E department shares their best bites of the issue. The food that melted in their mouths, the one that satiated their insatiable desires, the one where every bite told a story, teasing their taste buds, leaving them craving the next mouthful long after the plate was empty.
|| 2025-2026Aesthetic Authoritarianism bores me: The Secret Agent
The Secret Agent is authoritarianism on a slow, slow summer’s day.
|| 2025-2026Art? Science? History? What is Art Conservation?
Stuyvesant alumna Sara Levin, objects conservator for the African and Oceanic art department at the Met shares insights into the art conservation profession.
|| 2025-2026The Sound of Spring: How Popular Music Reimagines the Season Across Decades
By Mira Anant
A playlist-like analysis of how popular music across decades has redefined the idea of the “spring song,” transforming spring from a symbol of simple renewal into a more complex emotional and cultural metaphor.
|| 2025-2026
The Super Mario Galaxy Movie: Too Many Stars, Not Enough Story
By Kimberly Chen, Sara Bhuiyan
A review of The Super Mario Galaxy Movie with emphasis on its storytelling, character development, and its effectiveness as a sequel.
|| 2025-2026Spooky Sweets: S-Tier Stars and Subpar Selections
By The Arts & Entertainment Department
The most artistic and entertaining department proudly presents our ranking of 16 of the most loved (or most controversial?) Halloween candies.
|| 2026-2027
Evil Residents, Stoked Fans
By Hana Fathony
Resident Evil (2026) is Zach Cregger's attempt to finally do a beloved franchise justice.
|| 2026-2027Bite of the Issue: The Worst Halloween Candy Imaginable.
Eating every bad bean from BeanBoozled.
|| 2026-2027
Finding Heaven in Lizzy McAlpine’s Angel
A review of Lizzy McAlpine’s Angel, an exploration of love in its many forms.
|| 2026-2027
The New York Earth Room: Your Actual Breath of Fresh Air
By Chloe Tseng
The New York City Earth Room is a breath of fresh air (literally and figuratively).
|| 2026-2027Moana (2026) Live Action: A Wave of Nostalgia or a Cash Grab?
The Moana live-action movie is a cash grab, and not the only one Disney has produced.
|| 2026-2027Fueling the Fire: How Sydney Sweeney Uses Outrage to Set a New Standard For Advertisement
Outrage marketing is becoming the new norm for advertisement, and Sydney Sweeney’s recent ad campaigns are the driving force promoting this method. With its reliance on a heavy media response, Sweeney’s new ad campaign for Novig is a prime example.
|| 2026-2027
Yayoi Kusama: Forever in Infinity
By Chloe Tseng
Bearing a few hundred dollars, sixty kimonos, and 2,000 drawings, twenty-nine-year-old Yayoi Kusama looked down from the observation deck of the Empire State Building and promised herself that “one day [she] would conquer New York and make [her] name in the world.”
|| 2026-2027“1 More” Homage to Persona 5 (2016)
By Hana Fathony
Persona 5’s tenth anniversary truly leads players to reflect on what makes it unforgettable, even now.
|| 2026-2027To Infinity and Beyond: The Return of Toy Story
Toy Story 5 and how it reflects our modern day society.
|| 2026-2027Bite Of The Issue
By Daniel Oren
Tashkent Supermarket’s shawarma offers Stuyvesant students an unusually filling, affordable, and delicious lunch just two subway stops away.
|| 2026-2027I’ve Tried Hard Enough To Like It: Where Teen Of Denial (Joe’s Story) Falls Flat
Car Seat Headrest released a reimagined version of their indie rock classic album, Teens of Denial, but misses the mark by not living up to the greatness of the original.
|| 2026-2027Fakemink’s Terrified .: A Brilliant Mess
By Riley Martin
While Fakemink’s Terrified . offers some of the most compelling, self-produced experimental rap of the year, its brilliant moments are repeatedly sabotaged by a frustrating tracklist structure and bloated interludes.
|| 2026-2027Underdog Superstar Finds Strength in Consistency
By Riley Martin
“Raxan’s Underdog Superstar refines his 2000s-swag-inspired sound into his most cohesive project yet, though that consistency occasionally comes at the expense of variety.”
|| 2026-2027On Love and Loss: Phoebe Bridgers’s Lost Weekend
Phoebe Bridgers returns with an album that combines the best of her past music and the maturity she gained during her hiatus in Lost Weekend.
|| 2026-2027Art Beyond Representation
A look into notable works at the Art Institute of Chicago’s Beyond Form: Abstraction at Midcentury and the shift away from realism in response to global political change.
|| 2026-2027
The Met’s Musical Bodies Exhibition Brings Refreshing Diversity to Music History
By Maggie Miao
Musical Bodies explores themes of gender, sex, family, and death through art of diverse mediums and origins.
|| 2026-2027
A New Day, But a Classic Spider-Man
By Mira Anant
With Spider-Man: Brand New Day, Destin Daniel Cretton brings Spider-Man back to his roots, giving Tom Holland’s Peter Parker his most personal and classic story yet.
|| 2026-2027An Apocalyptic Mix: A Review of X-Men ‘97
By Sally Zeng
Season Two of X-Men ‘97 is solid because of the animations, character development, and decent storyline, but it is weakened by the show’s rushed pacing and script.
|| 2026-2027

