Film

By Dilasha Rawal, Minato Goto, Noah Choi, Zahra Kumar

New York City Public Schools implemented a new AI policy for the 2026-2027 school year, placing a one-year moratorium on generative AI for grades 2K-8 while restricting its use in high schools.

Issue 2, Volume 117

|| 2026-2027

By Daniel Oren, Nemo Hughes

Backrooms, directed by Kane Parsons, is a masterpiece despite overwhelming public dissatisfaction.

Issue 17, Volume 116

|| 2025-2026

By Oscar Scribner

The Secret Agent is authoritarianism on a slow, slow summer’s day.

Issue 15, Volume 116

|| 2025-2026

By Sasha Silakov

The Devil Wears Prada 2 debuts as an unnecessary, narratively confusing legacy sequel, with acting that did not stand the test of time.

Issue 15, Volume 116

|| 2025-2026

By Sara Bhuiyan

Five Nights at Freddy’s 2 (2025), while not exactly like the games, is thrilling and suspenseful, making it a fun watch for die-hard fans.

Issue 11, Volume 116

|| 2025-2026

By Amy Mitchneck, Bryan Bao, Jennifer Zheng, Nathaniel Lasher

Stuyvesant students Sophia Yinghan, Hailan Chen, Vincent Chen, and Rhea Malhotra were four of 300 selected as Regeneron scholars.

Issue 10, Volume 116

|| 2025-2026

By Oscar Scribner

A religious, emotional experience with fantastic acting and a solid murder mystery to bear, Knives Out adds a new approach to its repertoire.

Issue 9, Volume 116

|| 2025-2026

By Noa Salas Adam

The play’s revival not only made audiences laugh, but also provoked reflection on what qualifies as “art.”

Issue 9, Volume 116

|| 2025-2026

By Sara Bhuiyan

Dispatch (2025) is incredibly compelling, full of puzzles and hard choices.

Issue 8, Volume 116

|| 2025-2026

By  Kabir Madan

Although the latest installment resolves many of Season Three’s flaws, and delivers a more mature tone, it’s still unfocused, largely because the restaurant—once the show’s anchor—is pushed to the wayside in favor of many scattered and tedious storylines.

Issue 1, Volume 116

|| 2025-2026

By Alexander Deng

Colorful Stage! A Miku Who Can’t Sing hits the big screen, cementing itself as a milestone in Vocaloid history… but is it only for the fans?

Issue 17, Volume 115

|| 2024-2025

By  Kabir Madan

While Mission: Impossible - The Final Reckoning (2025) is weighed down at times by heavy exposition and clunky plotting, these flaws are negligible compared to the emotional payoff and jaw-dropping action.

Issue 17, Volume 115

|| 2024-2025

By Sara Bhuiyan

The Lilo and Stitch live-action remake changes the plot of the original film, but do the changes make the film better or worse?

Issue 17, Volume 115

|| 2024-2025

By Lander Bovenzi

Ethnofiction’s growing influence in modern cinema directly provokes traditional documentaries, underscoring the importance of first-person storytelling.

Issue 16, Volume 115

|| 2024-2025

By  Kabir Madan

With exhilarating action, deep storytelling, and an instantly lovable band of misfits, Thunderbolts* is easily one of the strongest films Marvel has released in the post-Endgame era.

Issue 16, Volume 115

|| 2024-2025

By Sofia Sen

Although Sinners stumbles in its attempt to weave together more complex themes with horror elements, Coogler’s ambition is evident as glimpses of the film’s true potential shine through.

Issue 16, Volume 115

|| 2024-2025
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By Mira Anant

With Spider-Man: Brand New Day, Destin Daniel Cretton brings Spider-Man back to his roots, giving Tom Holland’s Peter Parker his most personal and classic story yet.

Issue 1, Volume 117

|| 2026-2027
big image

By Sally Zeng

The Punisher: One Last Kill was a perfect continuation of Frank Castle’s story, with its new addition of character development, violence, and emotional impact.

Issue 16, Volume 116

|| 2025-2026
big image

By Kimberly Chen, Sara Bhuiyan

A review of The Super Mario Galaxy Movie with emphasis on its storytelling, character development, and its effectiveness as a sequel.

Issue 14, Volume 116

|| 2025-2026
big image

By Sasha Silakov

Project Hail Mary serves its purpose well as a hard Sci-Fi adaptation, even as some emotional depth is sacrificed for efficiency.

Issue 14, Volume 116

|| 2025-2026
big image

By Renata Firestone

In It Was Just An Accident, Jafar Panahi spins an existential web around one man’s metal leg.

Issue 8, Volume 116

|| 2025-2026
big image

By Oscar Scribner

Caught Stealing is a contradiction: both a clichéd crime flick and a surprisingly layered performance piece.

Issue 2, Volume 116

|| 2025-2026
big image

By Oscar Scribner

Caught Stealing is a contradiction: both a clichéd crime flick and a surprisingly layered performance piece.

Issue 2, Volume 116

|| 2025-2026
big image

By Emi Shimada

Fantastic Four: First Steps creates a visually-stunning, heartwarming viewing experience featuring some writing missteps.

Issue 2, Volume 116

|| 2025-2026
big image

By Rachel Hong

Despite its questionable name, KPop Demon Hunters stands out as one of the most impressive films of the summer, celebrating Korean and western culture.

Issue 1, Volume 116

|| 2025-2026
big image

By Emi Shimada, Sara Bhuiyan

A Minecraft Movie has just been released, but is its bad writing enough to undermine its sincerity to the source material?

Issue 16, Volume 115

|| 2024-2025
big image

By Renata Firestone

A look at Oscar Best Picture Winner Anora

Issue 12, Volume 115

|| 2024-2025

By Stella Kubersky

Disney's live action remake of Snow White has become the laughing stock of this year so far, from its lack of sonic and visual substance, to its flat attempts to correct the politics of the original.

Issue 13, Volume 115

|| 2024-2025

By Cyrus Fawkes

In 2024, spectacle trumps substance. What can the modern director learn from Abbas Kiarostami?

Issue 11, Volume 115

|| 2024-2025

By Mace Elinson

Issue 6, Volume 115

|| 2024-2025

By Sofia Sen

Issue 5, Volume 115

|| 2024-2025

By Joey Ferguson

Why watch a generative movie?

Issue 2, Volume 115

|| 2024-2025

By  Kabir Madan

Deadpool and Wolverine is a self-aware film that is extremely fun to watch.

Issue 1, Volume 115

|| 2024-2025

By Sofia Thornley

Mia Goth returns to play Maxine Minx for the last time in an oftentimes shaky end to the X trilogy.

Issue 1, Volume 115

|| 2024-2025

By Sofia Sen

Although the film attempts to portray domestic abuse with respect for real victims, the careless and insensitive marketing casts a foreboding shadow over the film.

Issue 1, Volume 115

|| 2024-2025

By Ari Eber, Saerom Kim

A disappointing combination of inadequate voice actors, an unfit animation style, and a baseline misunderstanding of the title character as a whole unfortunately led to The Garfield Movie being a large letdown.

Issue 17, Volume 114

|| 2023-2024

By Emi Shimada

In spite of some writing flaws, Ghostbusters: Frozen Empire is a hilarious watch with a wonderfully talented cast.

Issue 17, Volume 114

|| 2023-2024

By Juliette Cardinali

Gladiator II blew its predecessor out of the water with its massive production scale and visual effects, but falls short in end with its originality.

Issue 6, Volume 115

|| 2024-2025

By Juliette Cardinali

In a mixed media masterpiece, Dìdi teaches its audience that growing up was never transformed by the rise of technology, but merely translated.

Issue 2, Volume 115

|| 2024-2025

By  Kabir Madan

Deadpool and Wolverine is a self-aware film that is extremely fun to watch.

Issue 1, Volume 115

|| 2024-2025

By Benson Chen

Longlegs, directed by Osgood Perkins, is a masterclass in tension and dread building, despite its clunky exposition and one major plot hole.

Issue 1, Volume 115

|| 2024-2025
big image

By Hana Fathony, Sara Bhuiyan

The Odyssey attempts to take its place in cinema history; is it a diamond in the rough or a Trojan horse?

Issue 1, Volume 117

|| 2026-2027

By Daniel Oren, Nemo Hughes

Backrooms, directed by Kane Parsons, is a masterpiece despite overwhelming public dissatisfaction.

Issue 17, Volume 116

|| 2025-2026

By Alexander Deng

Colorful Stage! A Miku Who Can’t Sing hits the big screen, cementing itself as a milestone in Vocaloid history… but is it only for the fans?

Issue 17, Volume 115

|| 2024-2025

By  Kabir Madan

While Mission: Impossible - The Final Reckoning (2025) is weighed down at times by heavy exposition and clunky plotting, these flaws are negligible compared to the emotional payoff and jaw-dropping action.

Issue 17, Volume 115

|| 2024-2025

By Sara Bhuiyan

The Lilo and Stitch live-action remake changes the plot of the original film, but do the changes make the film better or worse?

Issue 17, Volume 115

|| 2024-2025

By Ari Eber, Saerom Kim

A disappointing combination of inadequate voice actors, an unfit animation style, and a baseline misunderstanding of the title character as a whole unfortunately led to The Garfield Movie being a large letdown.

Issue 17, Volume 114

|| 2023-2024

By Emi Shimada

In spite of some writing flaws, Ghostbusters: Frozen Empire is a hilarious watch with a wonderfully talented cast.

Issue 17, Volume 114

|| 2023-2024
big image

By Sally Zeng

The Punisher: One Last Kill was a perfect continuation of Frank Castle’s story, with its new addition of character development, violence, and emotional impact.

Issue 16, Volume 116

|| 2025-2026

By Lander Bovenzi

Ethnofiction’s growing influence in modern cinema directly provokes traditional documentaries, underscoring the importance of first-person storytelling.

Issue 16, Volume 115

|| 2024-2025

By  Kabir Madan

With exhilarating action, deep storytelling, and an instantly lovable band of misfits, Thunderbolts* is easily one of the strongest films Marvel has released in the post-Endgame era.

Issue 16, Volume 115

|| 2024-2025
big image

By Emi Shimada, Sara Bhuiyan

A Minecraft Movie has just been released, but is its bad writing enough to undermine its sincerity to the source material?

Issue 16, Volume 115

|| 2024-2025

By Sofia Sen

Although Sinners stumbles in its attempt to weave together more complex themes with horror elements, Coogler’s ambition is evident as glimpses of the film’s true potential shine through.

Issue 16, Volume 115

|| 2024-2025

By Oscar Scribner

The Secret Agent is authoritarianism on a slow, slow summer’s day.

Issue 15, Volume 116

|| 2025-2026

By Sasha Silakov

The Devil Wears Prada 2 debuts as an unnecessary, narratively confusing legacy sequel, with acting that did not stand the test of time.

Issue 15, Volume 116

|| 2025-2026
big image

By Kimberly Chen, Sara Bhuiyan

A review of The Super Mario Galaxy Movie with emphasis on its storytelling, character development, and its effectiveness as a sequel.

Issue 14, Volume 116

|| 2025-2026
big image

By Sasha Silakov

Project Hail Mary serves its purpose well as a hard Sci-Fi adaptation, even as some emotional depth is sacrificed for efficiency.

Issue 14, Volume 116

|| 2025-2026

By Stella Kubersky

Disney's live action remake of Snow White has become the laughing stock of this year so far, from its lack of sonic and visual substance, to its flat attempts to correct the politics of the original.

Issue 13, Volume 115

|| 2024-2025
big image

By Renata Firestone

A look at Oscar Best Picture Winner Anora

Issue 12, Volume 115

|| 2024-2025

By Sara Bhuiyan

Five Nights at Freddy’s 2 (2025), while not exactly like the games, is thrilling and suspenseful, making it a fun watch for die-hard fans.

Issue 11, Volume 116

|| 2025-2026

By Cyrus Fawkes

In 2024, spectacle trumps substance. What can the modern director learn from Abbas Kiarostami?

Issue 11, Volume 115

|| 2024-2025

By Amy Mitchneck, Bryan Bao, Jennifer Zheng, Nathaniel Lasher

Stuyvesant students Sophia Yinghan, Hailan Chen, Vincent Chen, and Rhea Malhotra were four of 300 selected as Regeneron scholars.

Issue 10, Volume 116

|| 2025-2026

By Oscar Scribner

A religious, emotional experience with fantastic acting and a solid murder mystery to bear, Knives Out adds a new approach to its repertoire.

Issue 9, Volume 116

|| 2025-2026

By Noa Salas Adam

The play’s revival not only made audiences laugh, but also provoked reflection on what qualifies as “art.”

Issue 9, Volume 116

|| 2025-2026

By Sara Bhuiyan

Dispatch (2025) is incredibly compelling, full of puzzles and hard choices.

Issue 8, Volume 116

|| 2025-2026
big image

By Renata Firestone

In It Was Just An Accident, Jafar Panahi spins an existential web around one man’s metal leg.

Issue 8, Volume 116

|| 2025-2026

By Mace Elinson

Issue 6, Volume 115

|| 2024-2025
big image

By Juliette Cardinali

Gladiator II blew its predecessor out of the water with its massive production scale and visual effects, but falls short in end with its originality.

Issue 6, Volume 115

|| 2024-2025

By Sofia Sen

Issue 5, Volume 115

|| 2024-2025

By Dilasha Rawal, Minato Goto, Noah Choi, Zahra Kumar

New York City Public Schools implemented a new AI policy for the 2026-2027 school year, placing a one-year moratorium on generative AI for grades 2K-8 while restricting its use in high schools.

Issue 2, Volume 117

|| 2026-2027
big image

By Oscar Scribner

Caught Stealing is a contradiction: both a clichéd crime flick and a surprisingly layered performance piece.

Issue 2, Volume 116

|| 2025-2026
big image

By Oscar Scribner

Caught Stealing is a contradiction: both a clichéd crime flick and a surprisingly layered performance piece.

Issue 2, Volume 116

|| 2025-2026
big image

By Emi Shimada

Fantastic Four: First Steps creates a visually-stunning, heartwarming viewing experience featuring some writing missteps.

Issue 2, Volume 116

|| 2025-2026
big image

By Juliette Cardinali

In a mixed media masterpiece, Dìdi teaches its audience that growing up was never transformed by the rise of technology, but merely translated.

Issue 2, Volume 115

|| 2024-2025

By Joey Ferguson

Why watch a generative movie?

Issue 2, Volume 115

|| 2024-2025
big image

By Mira Anant

With Spider-Man: Brand New Day, Destin Daniel Cretton brings Spider-Man back to his roots, giving Tom Holland’s Peter Parker his most personal and classic story yet.

Issue 1, Volume 117

|| 2026-2027
big image

By Rachel Hong

Despite its questionable name, KPop Demon Hunters stands out as one of the most impressive films of the summer, celebrating Korean and western culture.

Issue 1, Volume 116

|| 2025-2026

By  Kabir Madan

Although the latest installment resolves many of Season Three’s flaws, and delivers a more mature tone, it’s still unfocused, largely because the restaurant—once the show’s anchor—is pushed to the wayside in favor of many scattered and tedious storylines.

Issue 1, Volume 116

|| 2025-2026
big image

By  Kabir Madan

Deadpool and Wolverine is a self-aware film that is extremely fun to watch.

Issue 1, Volume 115

|| 2024-2025

By  Kabir Madan

Deadpool and Wolverine is a self-aware film that is extremely fun to watch.

Issue 1, Volume 115

|| 2024-2025
big image

By Benson Chen

Longlegs, directed by Osgood Perkins, is a masterclass in tension and dread building, despite its clunky exposition and one major plot hole.

Issue 1, Volume 115

|| 2024-2025

By Sofia Thornley

Mia Goth returns to play Maxine Minx for the last time in an oftentimes shaky end to the X trilogy.

Issue 1, Volume 115

|| 2024-2025

By Sofia Sen

Although the film attempts to portray domestic abuse with respect for real victims, the careless and insensitive marketing casts a foreboding shadow over the film.

Issue 1, Volume 115

|| 2024-2025