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Arts and Entertainment
Bladee and Yung Lean step out of their comfort zone in an inconsistent but exciting new direction.
Issue 13, Volume 114
Headed by two superstars with an extensive list of features and producers, Vultures is a sonic success without direction.
Issue 11, Volume 114
Reunited with a familiar cast and crew, Martin Scorsese brings the history of the Osage Indian murders to life in epic form.
Issue 7, Volume 114
Wes Anderson celebrates Roald Dahl, exploring the limitations and possibilities of their common creative ground.
Issue 5, Volume 114
Doja Cat promises a new direction on her latest album, Scarlet—and while she achieves it occasionally, most of the tracks lack substance and blend together. Doja Cat promises a new direction on her latest album, Scarlet—and while she achieves it occasionally, most of the tracks lack substance and blend together.
Issue 3, Volume 114
In a post-pandemic world, the experiences that movie theaters offer often trump the films they show, especially as these experiences begin to trend across social media.
Issue 2, Volume 114
From its architecture to its exhibits, immersion is the goal at the Richard Gilder Center for Science, Education, and Innovation.
Issue 16, Volume 113
Navy Blue’s major label debut, Ways of Knowing, is a consistent narrative success, but musically a mixed bag.
Issue 15, Volume 113
Guillermo del Toro’s Pinocchio places Walt Disney’s classic Pinocchio in fascist Italy, exploring the conflict between Pinocchio’s innocence and the horrors of World War I.
Issue 10, Volume 113
Strobeck’s latest project, “Play Dead,” pushes his signature stylistic choices too far, making the skateboarding itself hard to appreciate.
Issue 9, Volume 113
