Music

By Glynnis Gravador, Rachel Hong

Listen to these albums by Asian artists for back-to-school season!

Issue 1, Volume 117

|| 2026-2027

By Stella Kubersky

Phoebe Bridgers returns with an album that combines the best of her past music and the maturity she gained during her hiatus in Lost Weekend.

Issue 1, Volume 117

|| 2026-2027

By Glynnis Gravador

Manon’s mysterious hiatus from the hit global group KATSEYE has highlighted concerns about the mistreatment of Black women in the entertainment industry.

Issue 17, Volume 116

|| 2025-2026

By Noah Choi, Rachel Hong

PlayAsia reviews the best K-pop albums of 2026 (so far)!

Issue 17, Volume 116

|| 2025-2026

By Kaity So

Mitski explores uncomfortable topics in her new, chaotic, and controversial album

Issue 17, Volume 116

|| 2025-2026

By Soraya Gharib

Olivia Rodrigo is exploring new territory with her third studio release, and continuing to navigate the music industry.

Issue 16, Volume 116

|| 2025-2026

By Mira Anant

A playlist-like analysis of how popular music across decades has redefined the idea of the “spring song,” transforming spring from a symbol of simple renewal into a more complex emotional and cultural metaphor.

Issue 15, Volume 116

|| 2025-2026

By Maggie Miao

I reached out to six of the most influential musicians on my own musical journey and asked them: What is one piece of advice you have for young musicians?

Issue 13, Volume 116

|| 2025-2026

By Noah Choi

Nearly a decade into their reign as global icons, Blackpink returns with Deadline, which struggles to justify the group’s three-year hiatus due to uneven production quality.

Issue 13, Volume 116

|| 2025-2026

By Kimberly Chen

A review of Bruno Mars’ The Romantic with emphasis on the Latin influences of the album.

Issue 12, Volume 116

|| 2025-2026

By Soraya Gharib

Analyzing the lyrics, script, and visuals of Taylor Swift’s latest music video, Opalite.

Issue 12, Volume 116

|| 2025-2026

By Molly Gupta

Bad Bunny’s Super Bowl Halftime Show redefined the borders of what it means to be American while successfully representing Puerto Rican culture through its music and staging.

Issue 11, Volume 116

|| 2025-2026

By Maggie Miao

A rudimentary guide to structuring each practice session.

Issue 11, Volume 116

|| 2025-2026

By Angelica Pan

A recap of the 2025 NCAA Women’s Volleyball season, and what to expect moving into the next season.

Issue 10, Volume 116

|| 2025-2026

By Zobia Syed

An in-depth interview with Dr. O’Malley, where he explains details about his career and personal interests.

Issue 10, Volume 116

|| 2025-2026

By Justin Chen

Rules were made to be broken, right?

Issue 10, Volume 116

|| 2025-2026

By Glynnis Gravador

Laufey’s newest additions to her holiday album demonstrate her versatility by using inventive instrumentation to complement her vocals, showcasing her musical talent in various ways.

Issue 9, Volume 116

|| 2025-2026

By Lander Bovenzi

Lil Yachty and Olaolu Slawn use speed, familiarity, and discomfort to force observation to remain active and unresolved.

Issue 8, Volume 116

|| 2025-2026

By Emile Lee-Suk

New music from hip-hop’s vanguard.

Issue 4, Volume 116

|| 2025-2026

By Maggie Miao

Kinhaven Music School’s new Semester Program immerses high-school musicians in a unique experience where they can receive high-level music instruction while maintaining a regular academic schedule.

Issue 4, Volume 116

|| 2025-2026

By Sonam Kanaujia

Are in-class essays anything but stressors? Stuyvesant’s community of students and faculty share what they have to voice.

Issue 4, Volume 116

|| 2025-2026

By Mira Anant

Big Thief’s new album Double Infinity is a raw, exploratory folk-rock record that embraces imperfection and contradiction, using Adrianne Lenker’s intimate lyricism and the band’s loosened sound to explore love, memory, and the beauty of the unknown.

Issue 3, Volume 116

|| 2025-2026

By Albert Shen

Opera review for Salome at the Met

Issue 17, Volume 115

|| 2024-2025

By Emile Lee-Suk

JPEGMAFIA and Flume came together in the EP We Live in a Society for an artistically unbalanced collaboration.

Issue 17, Volume 115

|| 2024-2025

By Molly Gupta

A review of Tate McRae’s most recent album, So Close to What; although somewhat redundant, it is well put together and musically appealing.

Issue 14, Volume 115

|| 2024-2025

By Rachel Hong

After years of anticipation and a fruitful decade in the K-pop industry, Jisoo, Jennie, Rosé, and Lisa have re-debuted as solo artists to explore their own identities and express personal growth.

Issue 14, Volume 115

|| 2024-2025

By Emile Lee-Suk, Madeline Hutchinson

We listened to a lot of singles this January. Here are some of the highlights.

Issue 11, Volume 115

|| 2024-2025

By Benson Chen

EUSEXUA is the climax of FKA Twigs’s artistic evolution, a feat in conceptualization and experimentation.

Issue 11, Volume 115

|| 2024-2025

By Juliette Cardinali

With Perverts (2025), Ethel Cain strips her music down to its core, embracing the religious motifs of Southern Gothic and her stylistic evolution towards ambient sounds in all of its dark and disturbing glory, inspiring her fans to interact with her work on a deeper level.

Issue 10, Volume 115

|| 2024-2025

By Emi Shimada, Rachel Hong

Three song recommendations from a variety of Asian artists to create warmth in this winter season.

Issue 9, Volume 115

|| 2024-2025

By Albert Shen

To discuss examples of Christmas music that had non-Christmas origins

Issue 7, Volume 115

|| 2024-2025

By Ruby Kennedy

Issue 5, Volume 115

|| 2024-2025

By Emile Lee-Suk, Santino Suarez

Four mini-reviews of singles that were released in October.

Issue 5, Volume 115

|| 2024-2025

By Jolie Yeung, Sama Daga

Tyler, the Creator's newest album represents a pivotal moment in his life, and listeners love the artist’s new found vulnerability

Issue 5, Volume 115

|| 2024-2025

By Marzuk Rashid

Daisy the Great makes bold swings with the release of the newest EP: Spectacle: Daisy the Great vs. Tony Visconti

Issue 4, Volume 115

|| 2024-2025

By Juliette Cardinali

julie’s latest release, my anti-aircraft friend (2024), showcases the band’s skillful experimentation of the Shoegaze genre, bringing a unique perspective to music as a whole

Issue 3, Volume 115

|| 2024-2025
big image

By The Photo Department

The Winter Choral Concert, 2025

Issue 9, Volume 116

|| 2025-2026

By Glynnis Gravador

Manon’s mysterious hiatus from the hit global group KATSEYE has highlighted concerns about the mistreatment of Black women in the entertainment industry.

Issue 17, Volume 116

|| 2025-2026

By Noah Choi, Rachel Hong

PlayAsia reviews the best K-pop albums of 2026 (so far)!

Issue 17, Volume 116

|| 2025-2026

By Kaity So

Mitski explores uncomfortable topics in her new, chaotic, and controversial album

Issue 17, Volume 116

|| 2025-2026

By Albert Shen

Opera review for Salome at the Met

Issue 17, Volume 115

|| 2024-2025

By Emile Lee-Suk

JPEGMAFIA and Flume came together in the EP We Live in a Society for an artistically unbalanced collaboration.

Issue 17, Volume 115

|| 2024-2025

By Soraya Gharib

Olivia Rodrigo is exploring new territory with her third studio release, and continuing to navigate the music industry.

Issue 16, Volume 116

|| 2025-2026

By Mira Anant

A playlist-like analysis of how popular music across decades has redefined the idea of the “spring song,” transforming spring from a symbol of simple renewal into a more complex emotional and cultural metaphor.

Issue 15, Volume 116

|| 2025-2026

By Molly Gupta

A review of Tate McRae’s most recent album, So Close to What; although somewhat redundant, it is well put together and musically appealing.

Issue 14, Volume 115

|| 2024-2025

By Rachel Hong

After years of anticipation and a fruitful decade in the K-pop industry, Jisoo, Jennie, Rosé, and Lisa have re-debuted as solo artists to explore their own identities and express personal growth.

Issue 14, Volume 115

|| 2024-2025

By Maggie Miao

I reached out to six of the most influential musicians on my own musical journey and asked them: What is one piece of advice you have for young musicians?

Issue 13, Volume 116

|| 2025-2026

By Noah Choi

Nearly a decade into their reign as global icons, Blackpink returns with Deadline, which struggles to justify the group’s three-year hiatus due to uneven production quality.

Issue 13, Volume 116

|| 2025-2026

By Kimberly Chen

A review of Bruno Mars’ The Romantic with emphasis on the Latin influences of the album.

Issue 12, Volume 116

|| 2025-2026

By Soraya Gharib

Analyzing the lyrics, script, and visuals of Taylor Swift’s latest music video, Opalite.

Issue 12, Volume 116

|| 2025-2026

By Molly Gupta

Bad Bunny’s Super Bowl Halftime Show redefined the borders of what it means to be American while successfully representing Puerto Rican culture through its music and staging.

Issue 11, Volume 116

|| 2025-2026

By Maggie Miao

A rudimentary guide to structuring each practice session.

Issue 11, Volume 116

|| 2025-2026

By Emile Lee-Suk, Madeline Hutchinson

We listened to a lot of singles this January. Here are some of the highlights.

Issue 11, Volume 115

|| 2024-2025
big image

By Molly Gupta, Stella Kubersky

A review of Bad Bunny’s album DeBí TiRAR MáS FOToS focusing on his acknowledgement of the gentrification in Puerto Rico.

Issue 11, Volume 115

|| 2024-2025

By Benson Chen

EUSEXUA is the climax of FKA Twigs’s artistic evolution, a feat in conceptualization and experimentation.

Issue 11, Volume 115

|| 2024-2025

By Angelica Pan

A recap of the 2025 NCAA Women’s Volleyball season, and what to expect moving into the next season.

Issue 10, Volume 116

|| 2025-2026

By Zobia Syed

An in-depth interview with Dr. O’Malley, where he explains details about his career and personal interests.

Issue 10, Volume 116

|| 2025-2026

By Justin Chen

Rules were made to be broken, right?

Issue 10, Volume 116

|| 2025-2026

By Juliette Cardinali

With Perverts (2025), Ethel Cain strips her music down to its core, embracing the religious motifs of Southern Gothic and her stylistic evolution towards ambient sounds in all of its dark and disturbing glory, inspiring her fans to interact with her work on a deeper level.

Issue 10, Volume 115

|| 2024-2025

By Glynnis Gravador

Laufey’s newest additions to her holiday album demonstrate her versatility by using inventive instrumentation to complement her vocals, showcasing her musical talent in various ways.

Issue 9, Volume 116

|| 2025-2026

By Emi Shimada, Rachel Hong

Three song recommendations from a variety of Asian artists to create warmth in this winter season.

Issue 9, Volume 115

|| 2024-2025

By Lander Bovenzi

Lil Yachty and Olaolu Slawn use speed, familiarity, and discomfort to force observation to remain active and unresolved.

Issue 8, Volume 116

|| 2025-2026
big image

By Emile Lee-Suk

Bassvictim’s Forever explores the band’s sound after the after-parties.

Issue 8, Volume 116

|| 2025-2026
big image

By Emile Lee-Suk

Kendrick Lamar’s GNX is a therapeutic celebration of himself and his dedication to his art.

Issue 7, Volume 115

|| 2024-2025

By Albert Shen

To discuss examples of Christmas music that had non-Christmas origins

Issue 7, Volume 115

|| 2024-2025
big image

By Ravi Hasegawa

In Eternal Atake 2, Uzi aims to unite Eternal Atake with his current creative vision, but instead creates a disconnected album unable to live up to his groundbreaking past successes.

Issue 6, Volume 115

|| 2024-2025

By Ruby Kennedy

Issue 5, Volume 115

|| 2024-2025

By Emile Lee-Suk, Santino Suarez

Four mini-reviews of singles that were released in October.

Issue 5, Volume 115

|| 2024-2025

By Jolie Yeung, Sama Daga

Tyler, the Creator's newest album represents a pivotal moment in his life, and listeners love the artist’s new found vulnerability

Issue 5, Volume 115

|| 2024-2025
big image

By Emi Shimada, Rachel Hong

“Pierrot” by Le Sserafim and “APT.” by Rose and Bruno Mars are stand-out, upbeat songs perfect for the K-pop veteran or newcomer.

Issue 5, Volume 115

|| 2024-2025

By Emile Lee-Suk

New music from hip-hop’s vanguard.

Issue 4, Volume 116

|| 2025-2026

By Maggie Miao

Kinhaven Music School’s new Semester Program immerses high-school musicians in a unique experience where they can receive high-level music instruction while maintaining a regular academic schedule.

Issue 4, Volume 116

|| 2025-2026

By Sonam Kanaujia

Are in-class essays anything but stressors? Stuyvesant’s community of students and faculty share what they have to voice.

Issue 4, Volume 116

|| 2025-2026

By Marzuk Rashid

Daisy the Great makes bold swings with the release of the newest EP: Spectacle: Daisy the Great vs. Tony Visconti

Issue 4, Volume 115

|| 2024-2025

By Mira Anant

Big Thief’s new album Double Infinity is a raw, exploratory folk-rock record that embraces imperfection and contradiction, using Adrianne Lenker’s intimate lyricism and the band’s loosened sound to explore love, memory, and the beauty of the unknown.

Issue 3, Volume 116

|| 2025-2026

By Juliette Cardinali

julie’s latest release, my anti-aircraft friend (2024), showcases the band’s skillful experimentation of the Shoegaze genre, bringing a unique perspective to music as a whole

Issue 3, Volume 115

|| 2024-2025

By Glynnis Gravador, Rachel Hong

Listen to these albums by Asian artists for back-to-school season!

Issue 1, Volume 117

|| 2026-2027

By Stella Kubersky

Phoebe Bridgers returns with an album that combines the best of her past music and the maturity she gained during her hiatus in Lost Weekend.

Issue 1, Volume 117

|| 2026-2027