oscribner70@stuy.edu
Arts and Entertainment
Issue 4, Volume 117
The Secret Agent is authoritarianism on a slow, slow summer’s day.
Issue 15, Volume 116
Diving deep into SophFrosh SING! 2026.
Issue 11, Volume 116
Although it had its flaws, 2025’s year in film and television surpasses 2024 and provides hope going into 2026 and beyond.
Issue 10, Volume 116
Season 5 is filled with small peaks and extreme lows, managing to disappoint and bore while evoking a tear.
A religious, emotional experience with fantastic acting and a solid murder mystery to bear, Knives Out adds a new approach to its repertoire.
Issue 9, Volume 116
Mussolini: Son of the Century is a chilling exploration of how fascism thrives on contradiction, performance, and the seductive power of populist rhetoric.
Issue 6, Volume 116
Caught Stealing is a contradiction: both a clichéd crime flick and a surprisingly layered performance piece.
Issue 2, Volume 116
STC’s Spring comedy, The Importance of Being Earnest, was a triumphant, laughter-filled production that emphasized the promise of Stuyvesant’s future productions.
Issue 17, Volume 115
Severance’s Season Two is an artistic triumph, but a narrative regression.
Issue 13, Volume 115
Ultimately, many of the films and some of the television of 2024 felt like mostly setup and a break before the packed 2025.
Issue 9, Volume 115
A bagel shaped void in the heart of the Upper West Side.
Issue 8, Volume 115
