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Glass Onion is a cleverly subversive take on the mystery genre that excels in the quality of its writing and performances, despite an underutilized supporting cast and inconsistent pacing.
Issue 9, Volume 113
Despite setbacks in song length and writing quality, King Gizzard manages to offer a delectable, multifaceted musical experience through its three October releases.
Issue 5, Volume 113
Hellfire demonstrates black midi’s great ability to change and evolve their music, as well as their immense potential as musicians through its sheer musical variety and the extraordinary quality of the album’s dense compositions and passionate vocal performances.
Issue 1, Volume 113
An analysis of the newly popular analog horror genre and the aspects that make it so uniquely terrifying and captivating.
Issue 16, Volume 112
A look into what attributes make up a good concept album framed through the reviews of multiple successful concept albums.
Issue 15, Volume 112
Despite the unfortunate news surrounding lead vocalist Isaac Wood’s departure, “Ants From Up There” continues to demonstrate Black Country, New Road’s transcendental musical quality with its extraordinary instrumentals and raw, heart-piercing vocals from Wood.
Issue 12, Volume 112
A review of the “Silk Sonic” debut, which lives up to its name by sounding silky smooth.
Issue 7, Volume 112
Neil Cicierega managed to have a large impact on the Internet as he created creative pieces of media that blended pop culture media with Cicierega’s zany creative style.
Issue 5, Volume 112
Sex Education Season three retains the quality of its predecessors as it continues to expand and build upon its cast of eccentric and endearing characters.
Issue 3, Volume 112
Pop-synthed “Harmony House” is the lush continuation of Dayglow’s upbeat and hopeful discography.
Issue 17, Volume 111
