SING! 2026 Top 5s
Top 5s of SING! 2026.
Reading Time: 17 minutes

BEST MAIN ACTING PERFORMANCES
- Eloise (Lily Wagman, Senior)
Lily Wagman made Eloise’s conflict with her brother’s thievery a focal point instead of just a side plot. Wagman elevated every scene she was in with her comedic instincts and expressiveness, from navigating her brother's chaos with exasperated disbelief or delivering a passionate solo. Her dream of art school quickly became something the whole audience wanted for her, too. Wagman’s expressive facial reactions and delivery gave Eloise a vivid personality and allowed the audience to easily empathize with her. Wagman’s performance was consistently engaging from start to finish.
- Colette (Audrey Hilger, Senior)
Audrey Hilger’s thoughtful portrayal of the charismatic Colette brought the determined yet sidelined baker to life. From her witty banter with the mime to the leadership she showed when vowing to steal back Cousteau’s “great” invention, Hilger was clearly in tune with her character. Her performance felt natural, keeping the audience invested in every step of her schemes.
- Bethany (Indira Pollak, SophFrosh)
Freshman Indira Pollak gave a fantastic performance in SophFrosh SING! as Bethany, a talented pop star with an affinity for hair flips. Pollak’s performance was bewitching in her glamorous and enormous stage presence, bold body language, and subtle but telling facial expressions. Every moment and movement onstage was intentional, and Pollak consistently delivered biting lines with precision. She owned the stage whenever she appeared and overall made Bethany’s rebellious attitude instantly captivating.
- Renée (Sofia Lawrence, Senior)
Senior Sofia Lawrence was a standout performer in Senior SING! as Renée, a French journalist determined to make her mark at the World Fair. Lawrence’s captivating stage presence was bolstered by her authentic and emotionally resonant acting. She balanced confidence and subtlety on the stage, avoiding overacting while still projecting clearly and powerfully. Lawrence held herself with level-headedness and possessed a natural charisma tangible even from the audience. She could be relied on to deliver impactful lines with clarity and drive important moments in the story, making her one of the highlights of SING! this year.
- Sam (Wenzel Hu, SophFrosh)
Wenzel Hu brought infectious energy to the Summer Sing Off as Sam, the flamboyant pop star whose every line was a masterclass in comedic timing. Hu’s performance stood out not just for his natural charisma, but his precision, exaggerated body language, perfectly calibrated facial expressions, and consistency. Even in a world packed with sparkly pop-stars, Hu’s magnetic stage presence made it impossible to look anywhere else, earning him the well-deserved title as the best main acting performance of SING! 2026.
BEST SUPPORTING ACTING PERFORMANCES
- Pierre (Ada Gordon, Senior)
As Pierre, the World Fair Manager, Ada Gordon’s incredible performance stemmed from her oblivious, self-incriminating humor. Gordon stepped into the shoes of a grumpy Frenchman in the 1800s, filling her performance with quips such as “What sort of businessman would I be without child labor?” Employing a combination of humor, surliness, and frustration, Gordon masterfully created an antagonistic figure who was still funny and likable. Overall, her dramatic stage presence made Pierre a very entertaining character in Senior SING!.
- Henri-Jean-Jacques-Henrique-Cousteau (Henry Santos-Hendricks, Senior)
Playing pompous inventor Henri Cousteau, Henri Santos Hendricks had one clear advantage: he already had the name down. He took to the stage with ego, self-importance, and what became his trademark sexism. Cousteau was a despicable character, yet he managed to draw laughs from the audience. The duel scene was by far the most impressively choreographed moment of the night, which Hendricks did while singing. His most impressive feat was shifting Cousteau from a humorous antagonist to a reflective lover. Hendricks’s pensive, somber tone with which he delivered his lines as he threw away his sword created one of SING!’s most poignant moments, the triumph of his love over his ego. The script offered little foreshadowing for this change in arc, but this deus ex machina landed without a hitch. Henri, or Henry, made excellent use of his limited stage time, creating memorable scenes wherever he appeared.
- Mime (Alexander Chen, Senior)
On a crowded stage, Alexander Chen’s Mime carved a path through. Without relying on the spoken word, he managed to create a character that was consistently expressive and funny. As other actors spoke, Chen’s energetic physical bits were a highlight of each scene. He reacted strongly to other characters’ emotions, mirroring Colette’s frustration, leaning in like an eager gossip girl, or silently passing judgement. His precise physical comedy brought humor to scenes that might have otherwise been purely exposition. He kept the stage visually lively between lines, with his funny little cartwheels, poses, and facial expressions. The key moment of his performance was his delivery of the clever meta-joke “I’m speechless,” done in a perfect deadpan tone. Chen was evidently acutely aware of comedic timing and was truly a master of the mantra “speak little, do much.”
- Mr. Baker (Grant Izzett, Junior)
Junior Grant Izzett stole the stage with every appearance, delivering much-needed gusto with his memorable caricature, Mr. Baker. He leaned fully into the character’s exaggerated gratitude towards Amber and his absurd devotion to his beignets and owned it. His frantic running to and fro, the way he collapsed to the ground when his beignets were ruined, and his utter obliviousness created a certain charm. Although the script laid a framework for a hilarious character, Izzett elevated it with his theatrical physical comedy. Despite being a secondary character, Izzett pushed the rest of the cast to the periphery with every bombastic beignet explosion that was Mr. Baker.
- Geneviève (Jane No, Senior)
Within a star-studded cast, Jane No shone bright. She perfectly played her role, serving as the missing piece that allowed the main character, Nicholas, to portray the relentless pull of the past and the allure of the future. The nuance of her performance—at times flippant, at times solemn—left a lasting impact and was a large part of a play that succeeded due to the interplay of humor and authenticity. Most notable was her solo performance, a rendition of “Don’t Stop Me Now,” which perfectly summarized the character: searching for meaning on her own yet inextricably linked to a life of crime she couldn’t leave behind.
BEST VOCAL PERFORMANCES
- Luca (Siddha Bajracharya, SophFrosh)
From Siddha Bajracharya’s first note in “Put Your Head on My Shoulder,” it was apparent that Ad Astra had a star on their hands. Bajracharya’s classic croon was evocative of illustrious singers such as Frank Sinatra. His later rendition of “Somewhere Only We Know” was equally strong and imbued with emotion. As singing was a large part of Luca’s character arc, Bajracharya’s talents added depth to his character and proved he was worthy to be a member of Nova.
- Theo (William Lake, Senior)
William Lake’s voice was like no other. His control of breath, use of vibrato, and naturally mature voice commanded not only stage presence but also audience engagement. He introduced opera, a relatively rare genre of music in SING!, to the performance with great projection that reverberated around the theater. Even while running, dancing, and exchanging gestures, he delivered amazing enthusiasm that excited the audience.
- Maya (Isabella Glassberg, SophFrosh)
It takes immense talent to sing such a well-known song with properly delivered emotion, yet Isabella Glassberg conveyed the emotions of the scene perfectly in her cover of Olivia Rodrigo’s “Traitor.” Her high notes almost felt like a soft whisper, representing her character’s emotional defeat, while her lower notes were grounded in confidence and command. Her facial expressions further intensified the song, leaving the audience begging for more.
- Bethany (Indira Pollak, SophFrosh)
Indira Pollak’s vocal performance as Bethany in SophFrosh SING! made it difficult for the audience not to root for Bethany to win the competition. Her ineffable confidence was intoxicating, and the high notes she hit repeatedly in pop parodies such as “Baby One More Time” and “Wrecking Ball” were invariably strong. Her continuous vocal control and emotive delivery were a large part of what made Bethany a strong antagonist.
- Renée (Sofia Lawrence, Senior)
Senior SING! was well-served by Sofia Lawrence’s incredible Broadway belt. In her rendition of “Maybe This Time,” her range and intentional, clear delivery punctuated the song with an urgency fitting for her character, and every word she sang was imbued with emotion. Her final lines, triumphant and hopeful, were received with loud applause.
BEST DANCE PERFORMANCES
- Senior Flow
As the lights dimmed in the theater and Senior Flow took the stage, chills went down the audience members’ spines. Admittedly, their props occasionally fell or didn’t work properly, but the visual impact of their immersive light show undeniably made it one of SING!’s standout performances. Finally, the lights forming the word “Paris” as the ending moment was a stroke of brilliance and perfectly topped off the performance.
- SophFrosh Hip-Hop
When the curtains opened and introduced SophFrosh Hip-Hop, viewers were treated to an immediately exciting performance that set the tone for the show. The choreography was split between movements based on Sam and Maya, creating a striking visual impact through the group’s bifurcation. This performance immediately set the stage through a high-octane dance that was unrivaled in SophFrosh SING!.
- Senior Hip-Hop
If there was one performance that felt like a pure shot of adrenaline, it was Senior Hip-Hop. From the second the beat dropped, the energy in the theater shifted. The crew’s transitions were seamless, moving from hard-hitting isolation movements to expansive, stage-filling tutting.
- Junior Modern
Junior Modern leaned heavily into their Mardi Gras theme, creating a hauntingly beautiful atmosphere that underscored the show’s mystery. The choreography was fluid yet sharp, with the crew utilizing slow-motion sequences and floor work to build tension. Most notably, the performance succeeded as a two-person act—a daunting task on the expansive Murray Kahn stage. The duo commanded the space with a presence that matched their narrative roles.
- Senior Ballet
Set against the backdrop of 1889 Paris, Senior Ballet delivered a performance that was nothing short of ethereal. Transitioning from the bustling energy of the World’s Fair to the refined elegance of the “Baker’s Crew,” the dancers displayed remarkable technical precision. Their use of stage, alternating between delicate formations and powerful collective movements, provided a necessary moment of grace amidst the senior show’s chaotic brilliance.
BEST COSTUMES
- Violet (Junior)
Violet’s corset stood out on stage with its rich purple color and intricate beading details. Every section was bedazzled, catching the stage lights and making the costume shine throughout the performance. The corset was carefully outlined, giving it a strong, structured look. Hints of yellow along the corset added contrast and highlighted the purple even more, turning it into one of the most eye-catching costume pieces of the show.
- Bolly (Senior)
Senior Bolly lit up the stage with vibrant, warm yellow costumes that immediately caught the audience’s attention. The flowing sarees were both comfortable to run in and glamorous, moving gracefully with every spin and step of the choreography. Matching headsets completed the look, tying the costumes together and making Senior Bolly one of the most visually striking moments of the show.
- Eloise (Senior)
Eloise’s lilac-colored dress visually captured the audience with its elegance and attention to detail. The floor-length skirt was layered with lacey fabric and the costume was topped off with tastefully executed off-the-shoulder sleeves. With its flowing structure complementing the character’s artistic nature, Eloise’s dress was both high-quality and a fitting addition to the idyllic Parisian scenes of Senior SING!.
- Colette (Senior)
Colette’s gorgeous, deep red velvet dress definitely stood out among the cast, perfectly suiting her and catching the stage lights with a shiny, rich sheen. The bottom of her dress, a long black skirt that ran down to her ankles, added movement to her performance, flowing softly with each step she took. What was even more impressive was how her hair accessories completed the look, with jewels and flowers decorating her bunned-up hair, creating a final touch that immediately attracted the attention of the audience.
- Geneviève (Senior)
Geneviève’s costume change was one of the most memorable visual highlights of the show. Her first dancer costume already stood out on its own, featuring a gorgeous hot pink corset with feathered black stripes paired with a flowing pink skirt. A line of black feathers adorned the skirt and trailed along its sides, adding movement with every step she took on stage. Later, when she changed into “something a little more appropriate,” the transition revealed a stunning sparkling yellow gown that draped to her ankles, shimmering under the stage lights and creating a graceful look that complemented her nicely.
BEST NON-PERFORMANCE CREWS
- SophFrosh Art
SophFrosh SING!’s backdrops were fun and the perfect additions to the stage, especially during the Summer Sing Off. They really captured the lavish, flashy atmosphere of a competition that left the audience starstruck. Furthermore, the audience sometimes saw a background lined with posters that parodied different singers. Pun names like Bruno Moon or My Biological Romance gave the audience a chuckle without the need for a cast member to deliver any lines. Even though it wasn’t as front-and-center as the dance crews or cast members, SophFrosh art was a great addition to the show.
- Senior Art
Senior SING!’s backdrop was gorgeous, with a gigantic mural depicting the classic Parisian skyline, including the Eiffel Tower, which was then beautifully lit up during Flow’s performance. The set’s background held a diverse array of shops that were beautifully designed and incredible in their detail. Colette’s cart was also intricately painted and humorously had “Cart de Bread” written across it. Senior art helped contribute to the idea of a bustling Paris, overall creating a bright and captivating stage.
- Senior Tech
The atmosphere of Paris was captured beautifully with a large collection of shops and markets in the background, a glittering water fountain, and most impressively, the massive bread guillotine, topped with a large slice of toast. These set pieces made each scene feel more visually interesting and alive. They were also beautifully crafted to allow members of tech to transform from one scene to another with simple turns or folds. Last but not least, the Eiffel Tower was lit with a string of lights, an impressive display that captured the ambiance and set the mood. All in all, tech demonstrated great craftsmanship and expertise to capture 1880s Paris.
- SophFrosh Hair and Makeup
The bold outfits of SophFrosh SING! were complemented by iridescent makeup, perfectly exhibiting the glamour of the pop stars. In particular, the members of Ad Astra had plenty of pink and purple glitter to capture their spunky attitude, just like real pop stars. We couldn’t help but feel like we were watching a real group that wanted to put on their best looks to perform for thousands of loyal fans. SophFrosh Hair and Makeup aptly captured this idea to allow SophFrosh to shine.
- Senior Costumes
Senior SING!’s bright and incredibly detailed costumes were a standout of the show. Outfits such as Colette’s multi-layered gown and the thieves’ scrappy outfits stood out compared to the other years. We’d also like to commend their attention to detail for the dance crews. Latin was filled with beautifully bright colors that exemplified their flair, while ballet had cool-toned costumes that helped emphasize the somber mood of the songs it was a part of. Additionally, although Geneviève’s costume change didn’t go too smoothly, her new costume was nonetheless impressive and made her stand out from the other Latin dancers. Overall, Senior SING! perfectly immersed the audience in 1880s France with its amazing costumes.
BEST MUSICAL NUMBERS
- “Don’t Stop Me Now” (Senior)
Geneviève (Jane No) had a spotlight performance highlighting her impressive vocals. What took this to the next level, though, was the accompaniment by Latin, which had coordinated pink costumes with Geneviève and feather fans that brought the stage to life. The verve in the choreography matched the depth of her voice and made the number instantly captivating.
- “Maybe This Time” (Senior)
In this powerful parody of Cabaret’s “Maybe This Time,” Renée (Sofia Lawrence) expressed her frustration as she continued to get sidelined as a female journalist. Delivering powerful vocals, Lawrence easily stole the show.
- “traitor” (SophFrosh)
“traitor,” performed by Isabella Glassberg (Maya), slowed the tempo to highlight Glassberg’s vocals and add depth to Maya’s character and resentments. Basing the song off of Olivia Rodrigo’s “traitor” made this an instant audience favorite. Additionally, the rich emotion in her voice during this number helped counteract the somewhat one-dimensional aspects of her character.
- “ALL I SAW WAS YOU” (SophFrosh)
Indira Pollak (Bethany) truly showcased her range in this performance. She made belting look easy as she declared, “When it’s all/said and done/number one will be/me.” Despite this number being somewhat repetitive, her vocals were able to carry what the lyrics lacked. Pollak’s subtle choreography not only helped highlight the characteristic ego of Bethany, but also mirrored the lyrics and Flow’s background accompaniment.
- “Ten Duel Commandments” (Senior)
In this dynamic number, performed at Senior SING!’s climax, Colette (Audrey Hilger) and her ex-husband and inventor Henri (Henry Santos-Hendricks) rap “The French Duel Commandments” while sword fighting for ownership of their joint invention, the “bread guillotine.” All characters on stage sang and rapped, adding energy to the performance. The band accompaniment was clean and truly brought the number to life.
BEST DUOS/GROUPS
- Nicolas, Eloise, and Geneviève (Senior)
Nicolas, Eloise, and Geneviève, played by Siena Short, Lily Wagman, and Jane No, respectively, had an established tumultuous history that made their story both engaging and well-executed. The dichotomy between Geneviève’s and Eloise’s reluctance and Nicolas’ impulsive, “YOLO”-esque attitude kept viewers on their toes during the trio’s compelling banter.
- Jillie Bean and Shrank Finatra (Junior)
Though Jillie Bean and Shrank Finatra, played by Phon Myat Mo and Alex Zheng, respectively, were hard to hear at times, both stood out with their powerful vocals and chemistry—particularly in their duet to Michael Bublé’s “Sway” and Michael Jackson’s “Billie Jean.” The duo’s singing rivalry brought comedic relief in its “heated” ending.
- Henri Jean-Jacques-Henrique Cousteau and Colette (Senior)
Henri Jean-Jacques-Henrique Cousteau and Colette, played by Henry Santos Hendricks and Audrey Hilger, respectively, had outstanding moments as both enemies and lovers. Their duel to Hamilton’s “Ten Duel Commandments” demonstrated Santos Hendricks and Hilger’s collaborative strengths as actors and singers. As the show progressed, the couple’s reconciliation warmed the hearts of the audience.
- Nova (SophFrosh)
Nova, played by Isabella Glassberg (Maya), Wenzel Hu (Sam), and Siddha Bajracharya (Luca), brought a contagious excitement to the stage that kept the audience’s attention. Each character sported a unique personality and inspiring arc that contributed to the group’s dynamic and had the audience cheering for Nova during each round of the Summer Sing Off.
- Two Direction (SophFrosh)
Two Direction, played by David Yan, Eamonn Ryan, Hanchen Lin, and Benjamin Tabnick, was a clear fan favorite. Throughout the show, the parody boy band gained countless fangirls (and even more fanguys) through their strong charisma, dramatic hair flips, and comedic relief. The group’s performance was so outstanding that many audience members shouted “I love you, Two Direction!” during their performance and their Senior SING! cameo.
BEST BAND PERFORMANCES
- SophFrosh SING!
SophFrosh Band featured great arrangements and strong players who added energy to the show. However, during some of the slower songs, they had occasional issues where intonation and coordination with the vocals of the performers didn’t fully align, and a few cues were picked up slightly late, which sometimes took away from the performance. Still, they brought the energy throughout all their songs, ending with a spirited rendition of “Call Me Maybe.”
- Junior SING!
Junior Band brought strong energy and great intonation to their performance. The arrangements were thoughtfully crafted, highlighting different instruments throughout their set. The brass and wind sections stood out for their strong performance, but at times the tempo was unsteady due to the bass amps and drums overpowering some of the quieter instruments, such as the strings. However, Junior Band synced well with the performers onstage, and their dedication and consistent practice were reflected in their success!
- Senior SING!
Senior Band delivered an overall cohesive and impressive performance throughout their
shows, maintaining a steady tempo and strong rhythm from start to finish. Their arrangements showcased both variety and energy, with standout moments such as the strings in their Bolly number, which complemented the vibrant energy given to the dancers and cast members on stage. Shoutout to the three band members who had an exciting cameo on stage as well!
BEST TEACHER CAMEOS
- JonAlf Dyrland-Weaver (SophFrosh)
Computer Science teacher JonAlf Dyrland-Weaver made a quick appearance as Bethany’s tech assistant, helping sabotage the opposing teams’ microphones during the Summer Sing Off competition in SophFrosh SING!. Dyrland-Weaver’s brief cameo featured Bethany demanding that he “use that AP CS or whatever” despite AP Computer Science being a class, not a hacking method.
- Jerry Citron (SophFrosh)
AP Environmental Science teacher Jerry Citron left the crowd stunned during SophFrosh SING! when he entered the stage dressed as pop icon Britney Spears. Wearing a blonde wig, he delivered Spears’ signature line, “Oops…I did it again” with sass, before power walking off the stage. This moment provided well-timed comedic relief to a tense moment of the play.
- Eric Portales (Senior)
Mathematics teacher Eric Portales portrayed the Chef Rat in Senior SING!, equipped with a chef hat, a frying pan, and an “I <3 NY” shirt, singing “Cheez in the Trap,” a parody of “Beez in the Trap” by Nicki Minaj. Stunning the crowd with his short and sweet musical cameo, the Chef Rat was subsequently shooed off the stage by Pierre, ending a small pause within a gripping scene.
- Marissa Maggio (SophFrosh)
Biology teacher Marissa Maggio was featured as Madonna and kicked off the Summer Sing Off competition in SophFrosh SING!, opening with the line “go big or go broke.” She was also responsible for updating the scoreboard live after each elimination was announced.
- M. Manuel Ramirez (Senior)
French teacher Manuel Ramirez, wearing a “Je Heart Paris” t-shirt and dressed in various hues of crimson, emerged in Senior SING! as a clueless tourist, fascinated with Colette’s (Audrey Hilger) Cart de Bread and eating a loaf himself. Being a French teacher, his intentional mispronunciation of French words was hilarious. The energy and comedy Ramirez brought made him easily SING!’s best teacher cameo.
BEST JOKES
5. “What job could I get with multiple felonies on my record? The President?”—Geneviève (Jane No, Senior)
4. “I need to take a breather. Got a light? (MAYA pulls out a marshmallow on a stick)”—Maya (Isabella Glassberg, SophFrosh)
3. “I’m speechless!”—Mime (Alexander Chen, Senior)
2. “Maya, we don’t have a choice, he’s the only one who can…sing!”—Sam (Wenzel Hu, SophFrosh)
1. “So this is… sliced bread? You know, this could be the best thing since… I don’t know!”—Geneviève (Jane No, Senior)
